As I was thinking about what could I write on the last day of December as a blog entry, Eartha Kitt's voice came to my mind, singing "Santa Baby". Reflecting on this year, it's been a good one for me and I sincerely hope for you as well.
"Broadway stardom led to a recording contract and a succession of best-selling records including "Love For Sale" and "Folk Tales of the Tribes of Africa," for which she received a Grammy nomination. She also published her first autobiography, Thursday’s Child," during this period, and returned again to the cabaret scene with runs at The Persian Room, The Empire Room, and London’s Talk of the Town, among others."
http://www.earthakittfanclub.com/biography.htm Santa Baby Lyrics
Translate: German | French | Spanish | Italian | Russian | Portuguese
http://www.kovideo.net/lyrics/e/Eartha-Kitt/Santa-Baby.html Chords to Santa Baby C Am D G C
1. Santa baby, slip a sable under the tree,
Am D G C
for me, I've been an awful good girl.
Am D G C Am D G
Santa baby, and hurry down the chimney tonight.
C Am D G C
Santa baby, an out of space convertible too,
Am D G C
light blue, I'll wait up for you dear.
Am D G C Am D G C
Santa baby, and hurry down the chimney tonight.
E
Think of all the fun I've missed,
A
think of all the fellas that I haven't kissed.
D
Next year I could be, oh, so good,
G G7 C
if you'd check off my Christmas list. Boo doo bee doo.
Am D G
2. Santa honey, I wanna yacht and really that's
C Am D G C
not a lot, I've been an angel all year.
Am D G C Am D G
Santa baby, and hurry down the chimney tonight.
C Am D G C
Santa cutie, there's one thing I really do need,
Am D G C
the deed, to a platinum mine.
Am D G C a D G
Santa cutie, and hurry down the chimney tonight.
C Am D G C
Santa baby, I'm filling my stocking with a duplex,
Am D G C
and checks, sign your 'X' on the line.
Am D G C a D G C
Santa baby, and hurry down the chimney tonight.
E
Come and trim my Christmas tree,
A
with some decorations bought at Tiffany's.
D
I really do believe in you,
G G7 C
let's see if you believe in me. Boo doo bee doo.
Am D G C
3. Santa baby, forgot to mention one little thing,
Am D G C
a ring, I don't mean a phone.
Am D G C Am
Santa baby, and hurry down the chimney tonight.
D G C Am
Hurry down the chimney tonight,
D G G7 C
hurry down the chimney to...night.
See you in 2009!
http://ladydpiano.com
Now that you know your major scales, the next thing is to learn the formulas for your 4 basic types of chords. Once you learn the formulas, apply them to each key one at a time until you go through all 12 keys. Here is the order that you should learn and play them in:
Major = 1-3-5 Minor = 1-b3-5 Diminished = 1-b3-b5 *Fully diminished = 1-b3-b5-bb7 *just an extension of the regular diminished chord Augmented = 1-3-#5
As you go through learning and practicing the chords in this order, you will find that the last note for the augmented chord is also the last note for the major chord in the very next key. The next thing you should learn are the chords that are built off each scale degree of the major scale for every key. Again, learn it one key at a time until you go through all 12 keys:
1st - major 2nd - minor 3rd - minor 4th - major 5th - major 6th - minor 7th - diminished
Then move on to learning progressions. Play progressions like the 1-4-5, 2-5-1, 7-3-6, etc. I posted some of these progressions earlier: http://ladydpianoblogspot.com/2008/11/7-3-6-2-5-1-4-progressions.html
Here’s a hand book of video tutorials I listed on a previous blog post to help you with these progressions: http://ladydpiano.blogspot.com/2008/10/progressions-and-theory.html
Learn the Amen progression and practice many other listed progressions here: http://ladydpiano.blogspot.com/2008/09/chord-progression.html
Finally, here's the best Audio Course offered by Jermaine Griggs. I have these 2 discs and highly recommend the product. Disc #1 is for beginners and lays a great foundation for chord theory. Disc #2, you'll learn more advanced chord theory on the go! Here's what the folks over at HearandPlay.com have to say:
Dear Fellow Musician,
What if you could pop a CD into your home or car stereo and learn everything you needed to know to start playing beautiful chords on the piano? I'm talking about all the same chords used to play practically every popular song out there! The ones you grew up listening to... the songs you now enjoy... classic holiday tunes... even your kids' favorite songs... and more!
What if you could learn all the chords that make up those songs in just an hour or so? Would you be excited? Well... You should be! Because at www.HearandPlayChords.com, Jermaine over at Hear and Play Music is going to reveal an approach that allows you to learn anywhere: at your piano, in your car, on your ipod® while at the gym --- ANYWHERE!
So, if you have a CD player and two hours to spare, then you have what it takes to start mastering chords by ear.
(Over 20 minutes of audio lesson clips at the website)
You'll definitely find this new resource very beneficial, especially if you're struggling to grasp the concepts of chords! Believe it or not, once you master chords, half of the battle is won because songs are created ALL BY CHORDS!
Rush over to http://www.HearandPlay.com/441295/hpchords.html/Learn Chords and read his entire report.
Step-by-step, you'll learn:
- How to form various types of chords: major, minor, diminished, augmented and the easy theory behind them. DO NOT BE INTIMIDATED. *
-The classes of chords and the difference between triads, sevenths, ninths, elevenths, and thirteenths... all broken down in "normal," down-to-earth, language. *
- One magic formula that creates all the chords you'll ever need to know. All I'll tell you is that it involves two words: Quality & Quantity (and you need both in order to create all chords). *
- How to form any major scale in seconds using my "Why Won't He Wear White When Hot" trick. *
- Easy ways to understand intervals (which are merely distances between notes). There are melodic intervals and harmonic intervals and you'll learn both.
- The secret behind the "number system" and how to use it to learn practically any chord out there. I'll prove it to you with 7 practical examples.
So I highly recommend that you go over to the site. Don't forget to check out the 20+ minutes of audio lessons! You'll be glad you did.
Hear and Play released a new tutorial lesson! How to play Lost Without You by Robin Thicke with just four easy chords!
1. Find The Key 2. Figure Out The Melody 3. Basic Pattern Recognition 4. Determine Correct Chords 5. Make It Your Own 6. Take It To Any Key
D/ C F G/ B F C/ B E F/ A E
Walk up in half-steps:
G - D Ab - Eb A - E
For more great lessons, join the HearandPlay online Musician's Community! Free to join: http://zone.hearandplay.com/user.php?op=register&module=NS-NewUser&refid=3017
Oh Happy Day -Key of 'C' -Ezra Bufford Piano Practice
Intermediate Chords To Oh Happy Day:
Intro.: (C# F#) 4x
C# F# Oh, happy day! (Oh, happy day) C# Bb7 Oh, happy day! (Oh, happy day) Ebm7 Ab When Jesus washed (When Jesus washed) Ebm7 Ab When Jesus washed (When Jesus washed) Ebm7 Ab7 When Jesus washed (When Jesus washed) C# Washed my sins away
F# (Oh, happy day) C# F# (Oh, happy day)
C# F# La la la la la la la (La la la la la la la) C# F# La la la la la (La la la la la)
Bb7 Eb La la la la la la la (La la la la la la la) Bb Eb La la la la la (La la la la la)
Bb Eb Oh, happy day! (Oh, happy day) Bb G7 Oh, happy day! (Oh, happy day) Cm7 F When Jesus washed (When Jesus washed) Cm7 F When Jesus washed (When Jesus washed) Cm7 F7 When Jesus washed (When Jesus washed) Bb Washed my sins away
Bb Eb La la la la la la la (La la la la la la la)
Bb D/A La la la la la (La la la la la)
G C He taught me how to walk G Fight and pray G4 G Fight and pray G Am Bb° D7 (And He taught me how to living rejoicing!) G I'm living joyously C G Every, every day G4 G G/B G/C G/Db G/D Every day! Whoa...
Db/Eb Ab C# ...oh, happy day! (Oh, happy day) Ab Fm7 Oh, happy day! (Oh, happy day) Bbm7 Eb When Jesus washed (When Jesus washed) Bbm7 Eb When Jesus washed (When Jesus washed) Bbm7 Eb7 When Jesus washed (When Jesus washed) Ab Washed my sins away
C# (Oh, happy day) Ab Db/Eb (Oh, happy day)
Ab C# He taught me how to walk Ab Fight and pray Ab4 Ab Fight and pray Ab Ab/C Ab/Db Ab/D Db/Eb (And He taught me how to living rejoicing!) Ab I'm living joyously C# Ab Every, every day Ab4 Ab Every day! C# (Oh, happy day) Ab C# (Oh, happy day)
I love the simplicity of many Alicia Keys songs! She is so talented and very beautiful! My piano students favor this song, No One, and can easily play it!
American singer-songwriter Marc Cohn had a huge hit on his hands when he wrote "Walking In Memphis". Many have come along to play this song, but none as great as Mark Cohn. I love the original song on YouTube. He kind of reminds me of a Bruce Hornsby style. http://www.youtube.com/watch?v=XrTOgAbRqyw
Marc Cohn's 1991 debut harkens back to the more sophisticated rock and pop inflections of singer-songwriters. Marc Cohn's 1991 single "Walking in Memphis" made him an instant star: http://www.npr.org/templates/story/story.php?storyId=14387386 Take a look at his Chart and Track listings because he wrote many other songs as well: http://en.wikipedia.org/wiki/Marc_Cohn_%28album%29
Mark Cohn's Walking in Memphis is one of the most instantly recognisable piano intros there is. And yet how simple it is! It's based on a very standard chord progression: IV - V - I - VI
In the key of C that translates to F - G - C - A minor. Try playing these triads as an arpeggio, missing out the middle note of each triad as follows: http://www.8notes.com/school/riffs/piano/walking_in_memphis.asp
Download your Free music copy of Walking In Memphis" http://forpiano.com/pianotte/W.htm
Here's a great tutorial slowed down so you can learn the intro and play this cool song!
And here is Marc playing live with his very own signature sound. Thanks so much Marc! I love this song!
Hey Jude (original title: The Beatles Again) is a 1970 collection of non-album Beatles singles and B-sides, as well as "I Should Have Known Better" and "Can't Buy Me Love", two singles released by Capitol Records whose only previous American album appearance had been on the A Hard Day's Night soundtrack album which had been released by United Artists Records. http://en.wikipedia.org/wiki/Hey_Jude_(album)
English rock band The Beatles that was recorded in 1968. Originally titled "Hey Jules", the ballad was written by Paul McCartney—and credited to Lennon/McCartney—to comfort John Lennon's son Julian during his parents' divorce. "Hey Jude" begins with a verse-bridge structure based around McCartney's vocal performance and piano accompaniment; further details are added as the song progresses to distinguish sections. After the fourth verse, the song shifts to a fade-out coda that lasts for more than four minutes. http://en.wikipedia.org/wiki/Hey_Jude I have included the Na-Na-Na-Na part in the chord chart below. Rock on my piano friends!
Thousands of listeners, all being Beatles fans, have downloaded or purchased this very popular song: http://www.last.fm/music/The+Beatles/_/Hey+Jude
For those who would like to download many of your favorite Beatle songs, musicnotes.com will give you the first page of sheet music for free: http://www.musicnotes.com/features/artists/beatles/
Hey Jude is in the Key of F. Here's the chord chart:
F F/ACF C C/GCE C C/GBbD F F/ACF Bb Bb/FBbD F F/ACF C C/ACF * * * * * * F-E-Eb (r.h. single notes) Bb Bb/DF A A/DF G G/BbDG F F/BbDG E E/GCE C C/GBbE F F/ACF * * * * * * F/ A-C-Eb C G/ CE- DF- EG-EG-EG FA-GBb * * * * * * E-F/ Ab-A/ B-C/ E-F/ Ab-A/ B-C/F end on F chord * * * * * * F F/ACF Eb Eb/GBbEbF Bb Bb/FBbDF F F/ACF
Watch this tutorial of Hey Jude. You'll soon be jamming away with the song! Thank you pianojohn for teaching us Hey Jude in the Key of F with great rhythm, bass walk downs and then cutting loose on the na-na-na-na part for everyone to join in!
After I worked through a music theory book, I started playing chords and listening to their sound. Here's what I discovered. There are four types of piano chord chords:
1. Major 2. Minor 3. Diminished 4. Augmented
Major and minor chords are the two most important chords It is possible to play many popular tunes using only major and minor chords. Diminished and augmented chords are merely "salt" and "pepper" of music. They are used for passing from one major or minor chord to another. They are also known as the passing chords.
Formula Of Constructing A Chord Using Semitones: A semitone (also called the half step) is the smallest possible distance on a piano/keyboard.
Major chord formula: 4-3 semitones Major chord can also be called the pleasant or happy chord.
Minor chord formula: 3-4 semitones This formula is the opposite of major chord. Using the formula, we can construct/form any minor chord easily. The minor chord can be called the moody chord or the sad chord.
Diminished chord formula: 3-3 semitones As mentioned, this chord is used sparingly. The main reason is because this chord sound unstable. It is transitional and needs to be resolved to major/minor chord after used. The diminished chord can be called the suspense chord.
I recommend you try out these chords and hear for yourself the different flavors associated with each types of chord. After some testing you will soon be able to identify each type of chord you come across.
Here's what Jermaine Griggs, the founder of HearandPlay says: "is it possible to build your ear skills and start recognizing chords and progressions in a matter of a couple of months??? --- sure thing. With 2 solid hours a day like (as you mentioned), that goal is very attainable. But it all depends on the person. I know some guys around here that just got one of the videos and had a "knack" for playing. They picked up the material fast... and was able to hear the same chords and progressions in other songs. It amazes me.
For others, it may not click right away. I guess you don't know until you actually take action. Sometimes, trying to analyze this and that holds us back from taking action and getting started."
One of the best audio resources that I listen to for learning how to form various types of chords is here:
I learned about 7 important piano chords from this video:
Chords make up progressions. In order to effectively play chord progressions, one must be able to instantaneously play the chords of progression without having to stop, think about what tones to play, while eventually proceeding on to finish the progression. This is definitely the case with many musicians as they feel that they must memorize every single chord in the book! It's good to memorize chords; however, understanding how chords are formed will eventually allow you to play any chord you want without even thinking about it. For example, if you knew that a major chord consisted of a minor third on top of a major third, then you'd be able to apply this principle to any keynote.
For example, in C major, if I just combine a major and minor third interval, a C major chord is created. Contrary to that, if I combine a minor and major third interval, a C minor chord is created.
Major + Minor Third = Major Triad (chord)
Minor + Major Third = Minor Triad (chord)
Western harmony is built on fourths and fifths. If you study the overtone series you'll see how these most harmonious of intervals are the foundation of chords and chord theory. Finding fourths on the keyboard is not too difficult. Just skip four keys (The fourth -- isn't is ironic -- is the fifth key away from the root. )
You'll see fourths from the root of the chord down to the fifth of the chord. and you'll also see them between the 3rd and 6th of a chord, such as in 13th chords or 6/9 chords. Also you'll see fourths between the 7th and 3rd of both Major and Minor seventh chords.
There are only 12 different major chords:
3 of the major chords were made of all white keys: C F G.
3 of the major chords were made of white keys on the outside, with a black key in the middle: D E A. 3 of the major chords were like an Oreo cookie? Black on the outside, white on the inside: Db Eb Ab.
That only leaves 3 major chords, one of which is all black, and one of which is white, black, black, and the other the reverse -- black, white, white. Gb (all black) B (white, black, black) Bb (black, white, white).
And that's it.
Here they are in that order:
Major chords composed of all white keys:
C major chord: C, E, G
F major chord: F, A, C
G major chord: G, B, D
Major chords composed of white keys on the outside with a black key in the center:
D major chord: D, F#, A
E major chord: E, G#, B
A major chord: A, C#, E
Major chords composed of black keys on the outside with a white key in the center: Db major chord:
Db, F, Ab
Eb major chord: Eb, G, Bb
Ab major chord: Ab, C, Eb
Major chords left over:
Gb major chord (all black keys): Gb, Bb, Db
Bb major chord: Bb,
D, F B major chord: B, D#, F#
All these chords shown above are in "root position"; that is, the root, or name of the chord, is on the bottom of the chord. In a subsequent article we will take up the other positions in which we can play chords: inversions.
So why do I need to learn the major chords?
The answer is simple: all other chords are formed by altering one or more notes of a major chord. So once you know major chords, it's easy to find minor, diminished, augmented, and extended chords.
So to find a minor chord, all we need to do is lower the 3rd of each chord 1/2 step. So to make the C major chord into a C minor chord, we just need to lower E (the 3rd of the chord) 1/2 step to Eb.
So C minor chord is C, Eb, G
Here are the rest of the minor chords:
F minor chord: F, Ab, C
G minor chord: G, Bb, D
D minor chord: D, F, A
E minor chord: E, G, B
A minor chord: A, C, E
Db minor chord: Db, Fb, Ab (Fb is the same as E)
Eb minor chord: Eb, Gb, Bb
Ab minor chord: Ab, Cb, Eb (Cb is the same as B)
Gb minor chord: Gb, Bbb, Db (Bbb is the same as A)
B minor chord: B, D, F#
Bb minor chord: Bb, Db, F
Learn them well, as you will be playing them all of your life in countless songs.
I'm getting geared up to kick off a new piano teaching year that is soon approaching. One of my favorite quotes:
Nothing separates the generations more than music. By the time a child is eight or nine, he has developed a passion for his own music that is even stronger than his passions for procrastination and weird clothes.
Bill Cosby
With notes off to the parents, cleaning up my studio and organizing teaching approaches, I came across an assessment sheet:
Beginning Assessment for Children
1. Go over policies with children and adults – this includes timing, semester concepts, practicing, etc. (5 minutes)
2. Questions for children: (5 minutes)
– What types of music do you listen to / like? – Who are your favorite artists? – What types of instruments are you familiar with? – What have you learned about music in school / from others?
3. How my studio works – general overview, my philosophies / expectations
4. Musical Assessment (5 minutes on each)
– Piano – copying rhythms / song / identifying patterns – Keyboard – copying rhythms / patterns / how to get noise out of the keys
(Note to parents: This assessment allows 2 evaluations to be made – The first is to see if they are drawn to the instrument they want to take. By seeing how they respond to the instruments, they can open a space of exploration for their instrument. The second is to see how well they grasp onto musical concepts. This will allow me to customize the curriculum for their needs).
5. Questions after assessment:
– What instrument did you feel the most drawn to? – What do you recognize about each instrument? – Which one would you want to learn songs on?
After this assessment, child and parents will be able to decide on an instrument, time, etc. or will be able to determine if there is enough interest. If unsure about the instrument / desire, take some time before deciding to commit to lessons.
I discovered a cute program where you can take a video and upload your own text. I so much enjoyed watching this delightful little girl play the piano with all her heart and soul! Have a look: http://ladydpiano.blogspot.com/2008/04/lightly-row.html
My Cousin sent me a video of Ethan on the Tonight Show. Did you happen to see it? Little Ethan was a charmer, for sure and quite a talented young man at that!
For those who are beginners at the piano and would like to have something to play by tonight, then take a look at Boston by Augustana Piano Lesson
There are three valuable music resources to help you play by ear. I highly recommend these products if you're just starting out as a beginner piano player. For sure, some learn from books, some from dvds and others prefer cds. Overall, just mess around and move those fingers!
The Eagle is famous as the USCG training ship, based at the Coast Guard Academy on the Thames River in New London, CT. No, the above photo is not The Eagle.(photo copyrighted) Directly across the river is the US Naval Submarine Base. Friday morning, The Eagle came into the LA harbor main channel as part of the big tall ships parade. The ‘Eagle’ was built in 1936. She is operated as a training ship by the US Coast Guard Academy. Eagle is a very large vessel which accommodates approx. 175 cadets and instructors. She is almost 300 feet long and has a sail area in excess of 21,000 square feet.
http://en.wikipedia.org/wiki/Tall_ship
The Eagle moored between the Love Boat Terminal and the fire boat station. They would sail the next morning to San Diego, the next and last Tall Ships stop. The Tall Ship fleet has been working down the coast all summer, starting in Tacoma.
http://www.tallshipstacoma.com I was thrilled to have my Cousin share with me his account of boarding The Eagle!
The Eagles are an Americanrock band that was formed in Los Angeles, California in the early 1970s. With five Number 1 singles and six Number 1 albums, the Eagles were one of the most successful recording artists of the 1970s. At the end of the 20th century, two of their albums, Their Greatest Hits (1971–1975) and Hotel California, ranked among the ten best-selling albums according to the Recording Industry Association of America.
http://www.last.fm/music/Eagles/_/Hotel+California
Take a peek, if you like. Go on because millions have already:
http://www.youtube.com/watch?v=zkD-Mrg1BOQ
I discovered a piano tutorial for Hotel California. The explanation on pattern playing is great! And you'll sound pretty much like the song:
Plus, here's a little bit of a chord chart:
Verse
Bm F#
On a dark desert highway, cool wind in my hair
A E
Warm smell of colitas, rising up through the air
G D
Up ahead in the distance, I saw a shimmering light
Em
My head grew heavy and my sight grew dim
F#
I had to stop for the night
Bm F#
There she stood in the doorway, I heard the mission bell
A E
And I was thinking to myself this could be heaven or this could be hell
G D
Then she lit up a candle, and she showed me the way
Em F#
There were voices down the corridor, I thought I heard them say: Chorus
G D [Fill 1]
Welcome to the Hotel California
F# Bm [Fill 2]
Such a lovely place... such a lovely place... such a lovely face
G D [Fill 3]
Plenty of room at the Hotel California
Em F#
Any time of year... any time of year... you can find it here
http://www.911tabs.com/link/?4451070
For those who are beginners and would like Easy Piano Versions, here you go:
Progressions are just a way to get the harmony to support the melody. In any key if your melody sticks to the key you are in: I chord will harmonize three notes, V chord will harmonize two additional notes and the IV chord will harmonize the remaining two notes. So the I IV V chords will harmonize every note in a given melody providing it stays in key.
You can replace the 2 chord for the 4 chord. So now we get the 2 5 1. You can expand the one chord if you are sitting on it for a while and can play different bass notes under to help create motion. That is where we get the 1 3 6 2 5 1.
The 6 chord and the 3 chord fill in for the 1 chord. And the 7 fills in for the 5 chord. The 6 chord can also lead to the 4 chord. All this may seem confusing but it all starts with the one chord, the 5 chord and the 4 chord.
If you just use these three chords you can play with most songs. When you get more advance you can use the 2 5 1 as a little intro to each new chord you will play. So to introduce the one chord you play 2 5 and then 1. When you want to go to the four chord, you introduce it by playing a 2 5 1 in the key of the 4 chord.
So, if you were in the key of C and you want to go to the F, you introduce the F by playing G min7, C7 and F maj (2 5 1)
So, now you have it! 2 5 1 are derived from 4 5 1 and they have over time become embellishments and static chords to rest on to support the melody.
Suspended chords leave you hanging in mid air. They create suspense or anticipation. They sound and feel as though they should be resolved.
A suspended chord (or a chord suspension) is usually made by holding one of the tones of a chord a tone higher, then resolving it to its resting place. This can be done with any tones of a chord, but one of the more common suspensions is to manipulate the third of the chord, by first playing the fourth, and resolving it to the third. So a C suspended chord has the tones of the root, the fourth and the fifth:
A C suspended chord of this type is often shown in chord charts as either a "Csus", or a "C sus4". "Sus4" means that the third is initially played as a fourth, and resolved to a third.
In "real music", let's suppose you're playing a simple tune which uses three chords, C, F, and G, then returning to C. Try adding a little flavor to the mix: turn that final chord into two chords. Make it a suspended C chord, followed by a C chord.. Your chord progression would look like this: C - F - G - Csus - C. You can try this on a guitar or a piano.
Experiment with other suspended chords. Put them in places where you need a bit of emotion in your music. Might be just what you're looking for. Take a Christmas carol book (one that has chord symbols in it is good for this purpose), and try adding suspensions to dominant or tonic triads.
In the Key of C:
Sus 4 chords- Formed by raising the 3rd of the chord you are playing by a half step.
C-E-G is your basic major triad C chord. The E in bold is your 3rd. C-F-G: The F in bold is your suspended 4th. Notice that the distance between E to F is a half step. This chord now becomes your suspended 4th chord. If you play a I IV V progression, the IV is the best chord to play as a suspended 4th.
Sus 2 chords- Formed by lowering the 3rd of the chord you are playing by a whole step.
C-E-G This is your basic major triad C. The E in bold is your 3rd. C-D-G The D in bold is your suspended 2nd. Notice that the distance between E to D is a whole step. This chord now becomes your suspended 2nd chord. I hope this helps! ~ LadyD http://www.LadyDpiano.com
I love teaching beginners, young children, and adults. I offer piano lessons for ages 3-103 and all levels from primer to advanced. We have a blast with piano games, playing duets, learning songs and theory.
I offer private and group lessons. I am a WunderKeys piano teacher for preschoolers, 3-years-old to Kindergarten. We have 2 recitals, Fall and Spring.
Thank You!
I've Been Mentioned!
Billie
“If I’m going to sing like someone else, then I don’t need to sing at all.” – Billie Holiday
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