Here are the pianochords to You Don't Know My Name written by Alicia Keys, Kanye West, Harold Lilly, J.R. Bailey, Mel Kent and Ken Williams. This popular song was written in 2003. The part where Alicia sings "You don't know my name" throughout the song, well that walk down is F#, E, D, C#, and B whether you play single notes in the l.h. or add octaves and play it in your right hand. Remember you're in the Key of A, so that's the run you hear in this song.I love it!
CHORD CHART:
Happy Sunday Everyone... Be Blessed!
Caught Up by Kirk Franklin is in the Key of Bb with a 9/8 meter. Second version of the song, Caught Up modulates to Gb. This post is for all of my readers who ask for passing chords! Caught Up
Kirk Franklin
Hammondlover627
L.H./R.H.
C/Ab
Bb/D
Eb/Eb CAUGHT UP TO
Ab/Ab MEET HIM
Bb/Bb CAN'T WAIT TO
Eb/Eb SEE HIM
F/Db
G/Eb
Ab/Ab WHEN HE
A/F7 CRACKS
G/Eb THE
F/F7 (PASSING)
D/Fm(add9) sky
G/G7
A/Cm
B/G7
C/Cm7 CAN'T WAIT TO
Ab/Ab HOLD HIM
F/Cm BY HIS
Bb/Bb TOUCH
C/Ab I
D/Bb WILL
Eb/Eb KNOW HIM
C/C7 (#9)
Fm7 TOGETH-
Gm7
A/Cm -ER
Bb/Bb JE-
C/Cm SUS
D/Bb AND
Eb/Ab I
Eb/Eb I
[u] REPEAT
VERSE
Eb/Eb
Ab/Ab
Bb/Bb
Eb/Eb
F/Db
G/Eb
Ab/Ab
A/Cm
D/Fm (add9)
G/G7
A/Cm
B/G7
C/Cm7
Ab/Ab
Bb/Bb
C/Ab
D/Bb
Eb/Eb
C/C7 (#9)
F/Fm7
G/Gm7
A/CM
Bb/Bb
C/Cm
D/Bb
Ab/Eb
Eb/Eb
REPEAT
PASSING CHORD AFTER FINISHING THE CHORUS IS A7(b5)
Ab/Abmaj9
CAUGHT UP
G/G7 (#5)
C/Cm (add9)
TO SEE JESUS
Eb/Eb7
Ab/Abmaj7
CAUGHT UP
G/G7 (#5)
C/Cm
Eb,E,F
Bb/Bbm7 TO SEE JESUS
Eb/Eb
[u] REPEAT 3x's
AFTER 3rd TIME DO
C/Cm
TO SEE JE-
Db/Dbm7 SUS
Gb/Gb I
B/Gb6 WILL BE CAUGHT UP
Bb/BB7 (b9)
CAUGHT UP
Db/Eb
CAUGHT UP
Eb/Eb7
Bb/Absus CAUGHT
Eb/Eb7 UP
REPEAT, BUT THE SECOND TIME IT IS
Bb/Absus CAUGHT
Eb/Eb7 UP
TO-
Ab/Abm7 GETH---
Bb/Bbm7---
B/Gb6 ER
Db/Db JE-
Eb/Ebm SUS
F/Db AND
Gb/B I-----
Gb/Gb I
Eb/Eb7 (#9)
REPEAT 2x's, BUT 3rd TIME IT IS
Gb/B I____
Gb/Gb I___[/u] Ernest and Roline * * * * * * * * * * "Caught Up" by: Kirk Franklin
Key Eb LH/RH
By: T-Block
Part 1:
C / Ab-Eb
D / Bb-F, G, Ab
Eb / Bb-Eb-G Caught up
Eb / G-Bb-Eb to
Ab / Eb-Ab-C meet Him,
Bb / F-Bb-D can't wait to
C / Bb-Eb-G see Him,
F / Db-F-Ab
G / Bb-Eb-G
Ab / Ab-C-Eb when He
A / F-C-Eb cracks the
D / Ab-C-F-G sky,
G / F-B-D
A / G-C-Eb
B / G-D-F
C / Bb-Eb-G can't wait
C / G-Bb-Eb to
Ab / Ab-C-Eb hold Him,
F / G-C-Eb by His
Bb / F-Bb-D touch
C / Eb-Ab-C I
D / F-Bb-D will
Eb / G-Bb-Eb know Him
D, Db / Gb, F
C / E-Bb-Eb to-
F / Eb-Ab-C ge-
G / F-Bb-D e-
A / G-C-Eb ther
Bb / F-Bb-D Je-
C / G-C-Eb sus
D / Bb-D-F and
Eb / Ab-C-Eb I-
Eb / G-Bb-Eb I.
(repeat, chords are the same for the verses also)
Part 2:
A / G-Db-Eb
Ab / G-Bb-C-Eb
Caught up
G / F-B-D
C / G-C-Eb
to see Jesus,
Eb / G-Db-F
Ab / G-Bb-C-Eb
Caught up
G / F-B-D
C / G-C-Eb
Eb, E, F / G, Ab, A
to see
Bb / F-Ab-Db-Eb Jesus
Eb, F, Eb / G, Ab, G
Db / F
C / Eb
Bb / Db
Ab / G-Bb-C-Eb
Caught up
G / F-B-D
C / G-C-Eb
to see Jesus
Eb / G-Db-F
Ab / G-Bb-C-Eb
Caught up
G / F-B-D
C / G-C-Eb
to see Je-
(repeat)
Modulate to Gb:
Db / B-E-Ab sus
Gb / Db-Gb-Bb I
B / Bb-Db-Eb-Gb will
be caught up
Db, C, B / F, Eb, E
Bb / Ab-C-Db-F
caught up
Eb / Ab-Db-Eb-Ab
caught up
Eb / Bb-Db-Eb-G
caught up
C / Bb-E-Gb I
B / Bb-Db-Eb-Gb will
be caught up
Db, C, B / F, Eb, E
Bb / Ab-C-Db-F
caught up
Eb / Ab-Db-Eb-Ab
caught up
Eb / Bb-Db-Eb-G
caught up
Ending:
Eb / G-B-Db-Gb to-
Ab / Gb-B-Eb ge-
Bb / Ab-Db-F e-
C / Bb-Eb-Gb ther
Db / Ab-Db-F Je-
Eb / Gb-B-Eb sus
F / Ab-Db-F and
Gb / B-Eb-Gb I-
Gb / Bb-Db-Gb I
(repeat 2 more times) Learn Gospel Music
Neja & David Gospel Choir, Kirk Franklin's "Caught up"
There's a couple of chords you need here to play the song and these minor seventh chords sound so good. Do you know these chords... Abm7, Ebm7, Dbm7, Dm7 and all black notes for glissando?
Key Ab minor (Cb major) LH/RH
Ab / Ab, Eb, Cb, Db, Eb, Db, Cb, Ab
Eb / Db-Gb-Bb
Db / Cb-Fb-Ab
Ab / Ab, Eb, Cb, Db, Eb, Db, Cb, Ab
Eb / Db-Gb-Bb
Db / Fb-Ab-Cb
Ab / Ab, Eb, Cb, Db, Eb, Db, Cb, Ab
Eb / Db-Gb-Bb
D / C-F-A
Db / Cb-Fb-Ab
Eb / Db-Gb-Bb
OR
Ab / Eb-Ab-Cb I won't tell
Eb / Db-Gb-Bb
Db / Cb-Fb-Ab
Ab / Eb-Ab-Cb Your secrets
Eb / Db-Gb-Bb
Db / Cb-Fb-Ab
Ab / Eb-Ab-Cb Your secrets
Eb / Db-Gb-Bb are
Db / Cb-Fb-Ab safe with me
Ab / Eb-Ab-Cb
Eb / Db-Gb-Bb
Db / Cb-Fb-Ab
Ab / Eb-Ab-Cb I will keep
Eb / Db-Gb-Bb
Db / Cb-Fb-Ab
Ab / Eb-Ab-Cb Your secrets
Eb / Db-Gb-Bb
Db / Cb-Fb-Ab
Ab / Eb-Ab-Cb Just think of me as the
Eb / Db-Gb-Bb pages in
D / C-F-A your
Db / Cb-Fb-Ab diary-
Eb / Db-Gb-Bb yyyyy
(repeat)
* * * * * * * * * * * * * I just finished writing this article and wanted to share it with you:
The Major's Sad Cousin: The Relative Minor
If I were to ask you for a list of sad songs, what would come to mind? Perhaps you would say Moody River by Pat Boone, maybe Eva Cassidy's Songbird. What about Eric Clapton's Tears in Heaven?
Elton John wrote "Sad Songs Say So Much." So true and then there is the music structure to look at because for sure minor chords sound sad or mysterious in many ways. If I were to ask you for a list of sad songs, what would come to mind? Perhaps you would say Moody River by Pat Boone, maybe Eva Cassidy's Songbird. What about Eric Clapton's Tears in Heaven? What is a relative minor chord you ask? Well, every major chord, scale or key has a relative minor chord, scale or key. So for every MAJOR KEY, there is a RELATIVE MINOR KEY that also shares the same key signature.
Each relative minor scale begins on the 6th degree (Aeolian) of the RELATIVE MAJOR SCALE. The 6th note is the keynote (first note played) of the minor scale and the note from which the scale gets its name.
C Major and A Minor
D Major and B Minor
E Major and C# Minor
F Major and D Minor
G Major and E Minor
A Major and F# Minor
B Major and G# Minor
D Flat/ C# Major and B Flat Minor
E Flat/ D# Major and C Minor
G Flat/ F# Major and E Flat Minor
A Flat/ G# Major and F Minor
B Flat/ A# Major and G Minor
STEPS TO PLAYING A MINOR SCALE:
1. Find the relative major key of the minor scale that you want to play. 2. Play the relative major key starting and ending on the sixth degree. (the sixth degree of the relative major key should be the keynote of the minor scale that you want to play. You can also verify the relative major key by counting 3 half steps to the right. If it takes more or less than 3 half steps to get to the relative major key, then the relative major key that you have chosen is not correct.)
So, now we’ve learned that the relative minor key, like the relative minor chord, begins and ends on the sixth note of a major scale. Here’s how you find a major key’s relative minor key. Find the sixth degree of the major scale. Starting there, playing the notes of the major scale all the way ‘til you hit the sixth degree one octave higher. Here’s an example using the key of C:
1 2 3 4 5 6 7 1 2 3 4 5 6
C D E F G A B C D E F G A
So you just found the relative minor of C major: The Key of A minor: The scale itself is a minor scale. Minor scales differ from the major scale in that they come in different flavors. That is, there are a handful of them. This one is the natural minor scale.
Then there is The Harmonic Minor Scale:
One of the strongest forces in Western music is the pull from the V chord to the I chord. By raising the lowered seventh of the natural minor back to a natural seventh, you make the dominant chord major rather than minor.
The melodic minor scale exists for melodic reasons. The b6 is raised to a natural 6 in the melodic minor but only when ascending. When descending, the need for the strong melodic pull from the natural 7 to 8 is gone, so the melodic minor is returned to its natural state: the natural minor scale, complete with b6 and b7. So in this respect, the melodic minor is a unique case in western music; a scale that is different in its ascending and descending forms.
Melodic Minor Scale Pattern and C Melodic Scale:
1 2 b3 4 5 6 7 (8) b7 b6 5 4 b3 2 1
C D Eb F G A B (C) Bb Ab G F Eb D C
You have now learned Natural, Harmonic and Melodic Minor Scales. Believe me, there’s still more minor scales to learn.
Charlie Parker once said "Learn the changes and then forget them."
A melodic interval has single notes, like notes in a melody that are played one at a time. If you sing a note and then another then this is a melodic interval.
A harmonic interval has two notes played together to make harmony in music. If two people each sing a different note at the same time then this is called a harmonic interval.
Now that you know what intervals are why do you suppose we need to learn them?
Learning to recognize intervals, whether by sound, on paper, or an instrument, is extremely helpful for many reasons. Among them are chord building, improvisation, sight singing, composition, understanding and remembering keys and their related accidentals, and figure out music by ear. If you’re trying to play a melody that is in your head or on the radio, knowing your intervals eliminates most of the time spent searching for the right notes.
One of the coolest ways to add feeling and expression while playing those piano notes is to observe road map signs or what musician’s call Dynamics or dynamic markings.
Basically there are symbols that indicate varying degrees of volume. So we have degrees of loudness or softness.
mf means medium loud.
Its Italian name is Mezzo Forte.
f means loud.
Its Italian name is forte.
ff means very loud
Its Italian name is Fortissimo. fff means very, very loud.
Its Italian name is Fortississimo.
ppp means very, very soft.
Its Italian name is Pianississimo.
pp means very soft.
Its Italian name is Pianissimo.
P means soft.
Its Italian name is Piano.
With this understanding of how notes move while playing quietly or loudly, you’ll enjoy hearing yourself play with more feeling in addition to technically playing the notes correctly. Have fun!
I've Always Loved You: Third Day
(Intro: D D/C# D/B D/A D/B D/A A x2)
Verse I
D D/C# D/B D/A
I don’t know how to explain it, but I know that words will hard---
D/B D/A A
ly do
D D/C# D/B D/A
Miracles with signs and wonders aren’t enough for me to prove
D/B D/A A
to you
Chorus
Bm G D D D/C#
Don’t you know I’ve always loved you
Bm G D D D/C#
Even before there was time
Bm G D A Bm
Though you turn away, I tell you still
G D/A A
Don’t you know I’ve always loved you
D (D/C# D/B D/A D/B D/A A...)
And I always will
Verse II
D D/C# D/B
Greater love has not a man
D/A D/B D/A A
than the one who gives his life to prove
D D/C# D/B
That he would do anything
D/A D/B D/A A
And that’s what I’m going to do for you
(Chorus)
Artist: Third Day
Copyright Credits: Copyright 1999 New Spring Publishing, Inc
Still Listening-Third Day
Intro: B B4 B(3x)
B B4 B
There was time when I thought that I had You
B4 B
Figured out
B B4 B
I told You before and I'll say once more
B4 B
Now and then I have my doubts
E B B4 B
I'll never pretend to know what You are doing
F# E B B4 B
It's true that You move in mysterious ways
CHORUS
E
I looked for You in
G#m
The fire and the wind
F# E B B4 B
But You weren't there as far as I could see
E
I thought I'd hear You shout
G#m
But then I figured it out
F# E B B4 B
That all along You're whispering to me
B B4 B
And I'm still listening
B
Just when I thought that I had caught a glimpse of
B4 B
who You are
B B4 B
You taught me a lesson I needed to learn
B B4 B
Right from the very start
E B B4 B
I never will be the man that I quite need to be
F# E B B4 B
But that's alright 'cause You're enough for me
Do you have a favorite Third Day song? I sure like God of Wonders. ~ LadyD Charlie Parker once said "Learn the changes and then forget them."
Here is the chord chart to one of my favorite songs by Chris Rice called Other Side of the Radio
Intro: Dsus Asus 3x
Verse 1:
Dsus Asus
Here I am on the other side of the radio
Dsus Asus
Wonderin' why i'm here and why anybody cares what I say
Dsus F#m
No i'm not a better man cause i'm singing songs on the radio
E D
Cause we're all the same At the end of the day
Dsus Asus
Now I imagine you on the other side of the radio
Dsus Asus
Doin' your homework or driving with your windows down on the freeway
Dsus F#m
I see you tapping the wheel i see you bobbing your head to the radio
E D
Oh and it makes my day, to see that smile on your face
E D E
And in some small way, I remember my place
A E
Cause it's you and me singing the same song right now
F#m D
And maybe this'll bring us together somehow
A E B
And maybe there's a million people all singing along
A E
Somebody started thinking about the third line
F#m D
And maybe someone's saying a prayer for the first time
A E B
And that's enough a reason to keep me singing my song
D A
Singing my songs on the other side of the radio
Verse 2:
Crank up the volume and sing at the top of your lungs with the radio
Tune it in to some good news and laughin' along with the DJ
We're changing somebody's world from the other side of the radio
Oh and it makes my day to see that smile on your face
And in some small way I remember my place
Chorus:
Bridge: (I have to figure it out)
Repeat Chorus:
Repeat Chorus progression without words and end on A
From time to time I make mention of music products, music sites and affiliate programs that I personally endorse. To be specific, you've heard me talk about HearandPlay.com In fact we had a membership drive contest and I came in third place and won $250.00 I am a moderator for the site and continue to endorse Jermaine Griggs' products.
I have also supported Willie Myette and Yoke Wong's musician sites and have endorsed their products as well. So you know when LadyD mentions a specific website, you will find me actively participating in the Forum and owning various Jazz and Gospelpiano resources that I think are wonderful.
Well, the time has come for me to announce some exciting news. I was invited by Nick Oba, the founder of Fortitude to join the Fortitude Online Magazine's community of writers and share what I know about my particular niche, which you all know is teaching music! If you didn't know that, please read my blog profile! In fact I write about Greek food, too. I also love to write about my opinion of who I think are great upcoming musicians for the world to take notice!
Anyways, Nick dreams big and knows the potential we all have as writers. So, I entered an article about music, of course, called The Three R's of Singing for the launch of the new online magazine called Fortitude. Take a peek and see what you think: http://fo.rtitu.de/the-three-r-s-of-singing-12
On June 7th, the day of the launch, this article was on the Front Page of the new magazine site and I had received earnings for my hard work. Oh, my gosh, I immediate let my family know of my good news and now I am sharing with you, my family of musicians.
I was so thrilled to see that a community of writers agreed with my passion for writing about music and validated my efforts. So, here is how Fortitude, the online magazine works.
1. You can earn money by submitting pieces about anything you desire, in any format you choose, including rant, fiction, humor, articles, opinions or even poetry. If the piece makes the Front Page, via a democratic review process, the user is paid $10~$100. https://fo.rtitu.de/
2. Another great incentive Fortitude offers is to refer more users. You can join their affiliate program and invite your friends to sign up. You'll find some great bonuses with their affiliate program as well.
There has been much positive feedback about Fortitude Magazine. I am indeed blessed to be writing about music and books, food and family and so much more that I am passionate about!
I'd love to hear from you after you check out the site. Won't you join me in being a part of something that is truly amazing and so very cool? http://fo.rtitu.de/1014
Thanks and Best Regards,
LadyD
Charlie Parker once said "Learn the changes and then forget them."
When I think of rhythm, I think of Israel Houghton. One of his songs that I've enjoyed playing over the years is Again I Say Rejoice by Israel Houghton. Chord Chart to Again I Say Rejoice:
Key: E
Chorus 1:
E A2/C# C#m7
Rejoice in the Lord al - ways
Cmaj7 D
And again I say and again I say
E A2/C# C#m7
Rejoice in the Lord al - ways
Cmaj7 D
And again I say and again I say
E
Rejoice
Verse:
E
Come bless the Lord come bless the Lord
D A2/C# E
Draw near to worship Christ the Lord
D A2/C# E
And bless His name His holy name Declaring He is good
PreChorus:
Am7 Bm7
O that men would praise Him
Cmaj7 D
O that men would praise Him
Other:
(repeat Chorus, Verse, PreChorus, Chorus(2x))
Bridge:
Em11
O that men would praise His name
C/D Em11
Praise His name to the ends of the earth
Em11
O that men would praise His name
F#7 E7sus D7sus Bm7
Praise His name to the ends of the earth
Em11
O that men would praise His name.
Am9 Bm9
Again I say again I say (repeat)
Cmaj9 Dmaj7 Am9 Bm9
Again I say, Again I say, Again I say, Again I say
Tag:
B/C# C#m7 G/C Am/C G/C D E B/C# C#m7 G/C Am7C
G/C D E F#m/C# C#m7 Cmaj7 D E/G# Esus/F# E B#dim7
rejoice Rejoice Rejoice
C#m7 F#m7 Cmaj7 D Esus E
rejoice Re - joice
Chorus 1:D G2/B Bm7 A#maj7 C D G2/B Bm7 A#maj7 C D Verse:D C G2/B D C G2/B D PreChorus:Gm7 Am7 A#maj7 C Other:Bridge:Dm11 A#/C Dm11 Dm11 E7 D7sus C7sus Am7 Dm11 Gm9 Am9 A#maj9 Cmaj7 Gm9 Am9 Tag:A/B Bm7 F/A# Gm/A# F/A# C D A/B Bm7 F/A# Gm7C F/A# C D Em/B Bm7 A#maj7 C D/F# Dsus/E D ?dim7 Bm7 Em7 A#maj7 C Dsus D
Chorus 1:C F2/A Am7 G#maj7 Bb C F2/A Am7 G#maj7 Bb C Verse:C Bb F2/A C Bb F2/A C PreChorus:Fm7 Gm7 G#maj7 Bb Other:Bridge:Cm11 G#/BbECm11 D7 C7sus Bb7sus Gm7 Cm11 Fm9 Gm9 G#maj9 Bbmaj7 Fm9 Gm9 Tag:G/A Am7 D#/G#AmD#/G#/CC DG/A BAm7 CD#/G#GD#/G#D CE Dm/A # Am7 7 G#maj7 Bb C/E # Csus/D #CE ?dim7 7Am7 Dm7 G#maj7 Bb Csus C Sheet Music (one page) to Again I Say Rejoice http://www.musicnotes.com/sheetmusic/mtd.asp?ppn=MN0052477&mnuid=TJS3ZQZ6RJ62N728YZC7G733Z3MVBL5708KWJ3M7 I wrote a section on rhythm for beginner students at the piano called Rhythm in Music:
Different kinds of notes are used to make rhythm in music. Some notes are short, while others are held for a longer time. Another way to put it, music has a pattern of short and long tones. The combination of these tones written in notes is called rhythm. Here are some music notes to learn. Quarter Note = 1 count
A quarter note is all black with a stem on it either going up or down. I call it our “stepping” note because the note just steps and moves along. With 4/4 time, you would have a measure of 4 quarter notes because one quarter note gets 1 count. Remember music and math go together.
Half Note = 2 counts
A half note is all white with a stem on it. When playing this kind of note you would pause, like coming to a yellow traffic light. You would play a half note, counting 1 & 2 &. With 4/4 time, you would have 2 half notes in a measure to play because 2 + 2 = 4. Remember music and math go together!
If you are not sure what a measure in written music is, always remember that the notes placed between bar lines is a measure. Bar lines divide music into measures. When looking at a piece of music, go to the very end of a song and there you will find a double bar line.
Repeat Dots (Repeat Sign)
The two dots at the end of the piece are a repeat sign, meaning to play the song from the beginning. Sometimes my students ask, “Oh, do I have to?” The answer is “yes” because the composer intended for that section of music to be played again! Another way to look at it is that you won’t have more pages to turn. Just play the first page again or perhaps it will be just a few lines repeated. The repeat sign is a very valuable sign indeed.
Whole Note = 4 counts
A whole note is a white note, too but it does not have a stem on it. I call it our doughnut note. Some of my students call it a “hamburger” note! When you see a whole note, you must hold the note down and count, 1 & 2 & 3 & 4 &. It’s just like coming to a red light and making a full stop.
Dotted Half Note = 3 counts
A dot after a note adds half the value of the note. So, you now have 2 + 1 = 3 beats. You hold the note down and count, 1 & 2 & 3 &.
Now, the cool thing is that every type of music note has a corresponding rest. A rest sign means “don’t play” like a rest area. Sometimes it means get your hand ready in position and move up, yet still do not play a note, just rest! Examples of some rests are:
Quarter Rest
It looks like a “Z” and a quarter rest gets 1 count.
Half Rest
It looks like a black top hat. A half rest gets 2 counts or beats of silence. A half rest sits above the third line.
Whole Rest
Looks like an upside down black top hat. The whole rest hangs below the fourth line. It gets 4 counts or beats of silence.
Each measure in 4/4 time has notes and rests adding up to 4 counts.
Time Signature
The time signature is the two numbers written at the beginning of a piece. The top number tells how many beats are in each measure. The bottom number tells what kind of note gets one beat.
2 means two beats in each measure
4 means the quarter note receives one beat or count.
3 means three beats in each measure.
4 means the quarter note gets one beat.
4 means four beats in each measure
4 means the quarter note gets one beat.
Practice Directions
1. Clap and count the rhythm aloud.
2. Play and say the name of notes aloud.
3. Play and count the rhythm aloud.
A great music that I recommend for chord study that is an audio course: Chords
Do you have a favorite Israel Houghton song that you would like to learn or that you are currently working on? I'd love to hear from you. Please leave me a comment below.
Thanks,
LadyD
Charlie Parker once said "Learn the changes and then forget them."
D2 A2
When the music fades and all is stripped away
Em7 A7sus
And I simply come
D2 A2
Longing just to bring something that's of worth
Em7 A7sus
That will bless your heart
Em7 D/F# A7sus
I'll bring you more than a song
For a song in itself
Em7 D/F# A7sus
Is not what You have required
Em7 D/F# A7sus
You search much deeper within
Through the way things appear
Em7 D/F# A7sus
You're looking into my heart
D2 A2/C#
I'm coming back to the heart of worship
Em7 D/F#
And It's all about you
G A7sus
All about You Jesus
D2 A2/C#
I'm sorry Lord for the things I've made it
Em7 D/F#
When it's all about you
G A7sus D
all about You Jesus
D2 A2
King of endless worth, no one could express
Em7 A7sus
How much You deserve
D2 A2
Though I'm weak and poor, all I have is Yours
Em7 A7sus
Every single breath
G D D2 D/F# A2 A7sus Em7
Version 2:
D A
When the music fades
G
All is stripped away
Asus A
And I simply come
D A G
Longing just to bring that's of worth
Asus A
That will bless Your heart
(Prechorus)
Em D A
I'll bring You more than a song
Em
For a song in itself
D A
Is not what you have required
Em D A
You search much deeper within
Em
Through the way things appear
D A
You're looking into my heart
(Chorus)
D A/C#
I'm coming back to the heart of worship
Em
And it's all about You
G A
It's all about you, Jesus
D A/C#
I'm sorry, Lord, for the thing I've made it
Em
When it's all about You
G A
It's all about you, Jesus
D A
King of endless worth
G
No one could express
Asus A
How much You deserve
D A
Though I'm weak and poor
G
All I have is Yours
Asus A
Every single breath
(Prechorus and Chorus)
D Asus A Em G
EBF#mB7sus4
When the music fades, all is stripped away, and I simply come;
EBF#m
Longing just to bring, something that's of worth
B7sus4
That will bless your heart.
F#mE/G#B
I'll bring you more than a song,
F#mE/G#BB/D#E
For a song in itself is not what You have required
F#mE/G#B
You search much deeper within
F#m
Through the way things appear;
E/G#B
You're looking into my heart
Chorus:
EB2/D#
I'm coming back to the heart of worship
F#mABE
And it's all about You, its all about You, Jesus
EB2/D#
I'm sorry Lord for the thing I've made it,
F#mABE
When it's all about You, all about You, Jesus
Verse 2:
EBF#mB7sus4
King of endless worth, no one could express, how much You deserve;
EBF#mB7sus4
Though I'm weak and poor, all I have is Yours, every single breath
F#mE/G#B
I'll bring you more than a song.
F#mE/G#BB/D#E
For a song in itself is not what You have required
F#mE/G#B
You search much deeper within
F#m
Through the way things appear;
E/G#B
You're looking into my heart
Chorus
Key of G - Heart of Worship
GDAmD7sus4
When the music fades, all is stripped away, and I simply come;
GDAm
Longing just to bring, something that's of worth
D7sus4
That will bless your heart.
AmG/BD
I'll bring you more than a song,
AmG/BDD/F#G
For a song in itself is not what You have required
AmG/BD
You search much deeper within
Am
Through the way things appear;
G/BD
You're looking into my heart
Chorus:
GD2/F#
I'm coming back to the heart of worship
AmCDG
And it's all about You, its all about You, Jesus
GD2/F#
I'm sorry Lord for the thing I've made it,
AmCDG
When it's all about You, all about You, Jesus
Verse 2:
GDAmD7sus4
King of endless worth, no one could express, how much You deserve;
GDAmD7sus4
Though I'm weak and poor, all I have is Yours, every single breath
AmG/BD
I'll bring you more than a song.
AmG/BDD/F#G
For a song in itself is not what You have required
AmG/BD
You search much deeper within
Am
Through the way things appear;
G/BD
You're looking into my heart
The Heart of Worship - Key of A
Verse 1:
AEBmE7sus4
When the music fades, all is stripped away, and I simply come;
AEBm
Longing just to bring, something that's of worth
E7sus4
That will bless your heart.
BmA/C#E
I'll bring you more than a song,
BmA/C#EE/G#A
For a song in itself is not what You have required
BmA/C#E
You search much deeper within
Bm
Through the way things appear;
A/C#E
You're looking into my heart
Chorus:
AE2/G#
I'm coming back to the heart of worship
BmDEA
And it's all about You, its all about You, Jesus
AE2/G#
I'm sorry Lord for the thing I've made it,
BmDEA
When it's all about You, all about You, Jesus
Verse 2:
AEBmE7sus4
King of endless worth, no one could express, how much You deserve;
AEBmE7sus4
Though I'm weak and poor, all I have is Yours, every single breath
BmA/C#E
I'll bring you more than a song.
BmA/C#EE/G#A
For a song in itself is not what You have required
BmA/C#E
You search much deeper within
Bm
Through the way things appear;
A/C#E
You're looking into my heart
The Heart of Worship/Where Angels Fear to Tread I hope you enjoy playing this worshipful song. I have played it often and in many different keys depending on the voice range of the worship leader. Get familiar with playing a song you love in all the keys. Experiment moving chords up a whole step or half step. It gets easier the more you practice. We tend to play only in the keys that are easy or the ones were familiar with. So, stretch yourself and try those unfamiliar keys. Some will want to hit the "transpose" button on their keyboard... I know! lol
All the best,
~ LadyD
Charlie Parker once said "Learn the changes and then forget them."
I love teaching beginners, young children, and adults. I offer piano lessons for ages 3-103 and all levels from primer to advanced. We have a blast with piano games, playing duets, learning songs and theory.
I offer private and group lessons. I am a WunderKeys piano teacher for preschoolers, 3-years-old to Kindergarten. We have 2 recitals, Fall and Spring.
Thank You!
I've Been Mentioned!
Billie
“If I’m going to sing like someone else, then I don’t need to sing at all.” – Billie Holiday
Alicia Keys via last.fm
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