From The Inside Out: Chord Chart

From The Inside Out: Joel Houston l LadyDpiano

I love this worshipful Hillsong tune, From The Inside Out that was recorded in 2005. It's fairly easy to play. If you're not familiar with this one, have a listen on YouTube.

From The Inside Out (Chords and Lyrics by Joel Houston)


Key of G
4/4 Time Signature
Intro
C /// l //// l G /// l D /// l C /// l //// l G ///
Verse 1
D                 C
A thousand times I've failed
                     G        D
Still, Your mercy remains
                      C
And should I stumble again
       G                     D
I'm caught in Your grace
            Em
Everlasting
         C                              G          D
Your light will shine when all else fades
           Em
Never ending  
         C                   G           D        C    G    D  C  G
Your glory goes beyond all fame
Verse 2
D              C
Your will above all else
            G               D
My purpose remains
                 C
The art of losing myself
           G           D
In bringing You praise.
            Em
Everlasting
         C                              G          D
Your light will shine when all else fades
                Em
Never ending
         C                    G          D   C
Your glory goes beyond all fame
                                G
In my heart and my soul
                               Em
Lord, I give You control
                                     D
Consume me from the inside out,
       C                        Em
Lord, let justice and praise
                          D
Become my embrace
                                  Am
To love you from the inside out
Verse 3
                 C
Your will above all else
            G                   D
My purpose remains
                 C
The art of losing myself
           G            D
In bringing You praise.
             Em
Everlasting
         C                              G          D
Your light will shine when all else fades
                Em
Never ending
        C                     G          D
Your glory goes beyond all things
      C                                  G
Yeah, In my heart and my soul
                                     Em
Lord, I give You control
                                     D
Consume me from the inside out,
       C                           Em
Lord, let justice and praise
                                  D
Become my embrace
                                  Am
To love You from the inside out
             Em
Everlasting
         C                              G          D
Your light will shine when all else fades
            Em
Never ending
         C                    G          D
Your glory goes beyond all fame
              G            C
And the cry of my heart
         D             Em
Is to bring You praise
                   C     D
From the inside out
               C            D
Lord my soul cries out
              C        D
from the inside out,
              C             D     C  G  D  C  G  D
Lord my soul cries out, Lord

Wishing you JOY around your table with family and friends this Thanksgiving season.
I am thankful for YOU!

Blessings,

-- LadyD

 "The beautiful thing about learning is that no one can take it away from you." B.B.King

17 Canal Songs

The Canaller's Songbook: LadyDpiano

Have you ever been on a boat? Better yet, have you sung on a boat?! I sure have from local shores to crystal blue waters in Mexico!

Unlike sea shanties, the collection of canal collections contains almost no work songs. These songs took their melodies from the popular music of the day. The subjects used in canal songs tell us a bit about how the canaller viewed himself and how he was viewed by others.

The Canaller's Songbook

The Good Ship Calabar: LadyDpiano


1. The Good Ship Calabar (Ireland)

          C                                      G7              C
Come all ye dry land sail-i-ars and listen to my song
                                            Bb                   C
It's only forty verses and I won't detain ya long
                                                  Bb                      C
It's all about the adventures of this Sou' Lisburn barge

                                                               G7            C
As I sailed as a man before the mast on the good ship Calabar.

2. Boating on a Bullhead (YouTube Video)

3. Simon Slick (Lyrics and Midis)


4.From Buffalo to Troy (Song in Key of A)

5. A Trip on the Erie

6. A Life on the Raging Canal On Spotify

7. Oh! Dat Low Bridge

This song was written for an 1880's minstrel show called, The Grip. Music by David Braham and lyrics by Edward Harrigan.

      G                   Em                    D7
It's many miles to Buffalo (Oh that low bridge)
 G                                      D7        G
Balky mule he travels slow (Oh that low bridge)
             G                 Em                       A7                 D7
There's gravel on the towpath, there are hornets in the sand,
       C                   G                         D7         G
Oh, pity poor canallers that's so far away from land.
Chorus:
G                    Em             G                     Em
Look Out! That Low Bridge, Look Out! That low bridge.
      C                         D7
The captain, cook and all the crew,
      G            D7             G
oh duck your heads way down
       C                    D7
The fastest boat in all the fleet,
         G           D7        G
"Two Sisters," come to town.

8. Meeting of the Waters

This was the song sung in New York City on November 4, 1825, for the dedication of the opening of the Erie Canal. Chords and Lyrics.

             D               G        D  
Let the day be forever remembered with pride,
             A7                                    D     A7
That beheld the proud Hudson to Erie allied.
                                                        D                  A7
Oh, the last sand of time from his glass shall descend,
           D            G              A7            G
E'er a union so fruitful of glory shall end,
           D            G              A7
E'er a union so fruitful of glory shall end.

9. I'm Afloat (Written in 1842)

        F                                      C7
I'm afloat! I'm afloat! On the Erie Canal.
       Bb              F                                                 C7
Its wave is my home and my scow beats them all.
       F                                                 C7                          F
Off! Up, with your hats! Give three cheers, now three more.
       Dm              Bb              C7                     F
I'm afloat! I'm afloat! After four months on shore. 
       A7                   Dm                 G7                C7
The prim, painted packets right past us may souse. 
                  F                      C7                      F                        C7
They may rub. They may bump, but they can't stave out bows.
         G7                                     C7
With darkness around us, and bridges full low.
                                               G7             C7
O'er the raging canal rights onward we go.
            F                                                 C7               F
Come, boy. Whip the mare. Keep her head to the wind.
          Bb                  F                                          C7
And I warrant we'll soon leave the snails all behind.
       F                                               C7                           F                Dm             Bb
Up! Up! with your caps. Now give cheers three times three. I'm afloat! I'm afloat!

            C7      Dm                          G7                  C7                 F
The canaller is free.  I'm afloat! I'm afloat! And the cook's getting tea.


10. The Raging Canal By P Morris

11. The Aged Pilot Man mudcat.org

12. The Girl from Yewdall's Mill www.loc.gov/resource

13. Black Rock Pork (lyrics)

14. Paddy on the Canal (Midi & Lyrics)

15. The E-ri-e (Lyrics)

16. The Dark-eyed Canaller (YouTube)

17. Low Bridge, Everybody Down (Sheet Music)

        Em                         Am         B7
I’ve got a mule and her name is Sal
Em                              B7   
Fifteen miles on the Erie Canal
Em                                            Am          B7
She’s a good old worker and a good old pal
Em                           B7
Fifteen miles on the Erie Canal
Em      G                                         D7            
We’ve hauled some barges in our day
Em                                      B7
Filled with lumber coal and hay
       Em                   Am             B7
And we know every inch of the way
          Em            B7    Em
From Albany to Buffalo

D7    G                           D7
Low bridge, everybody down
G                                                D7    G
Low bridge ’cause we’re comin’ to a town
                                               C
And you’ll always know your neighbor
          G                          C
You’ll always know your pal
                G           C                  G    D7  G
If you’ve ever navigated on the Erie Canal

The last song is one of my favorites. Have fun with the chord progressions. Perhaps purchase the book if you're interested in playing the melody lines, The Canaller's Songbook.

Blessings,

-- LadyD

 "The beautiful thing about learning is that no one can take it away from you." B.B.King

The Components of Music: Part Three

The Structure of Music: LadyDpiano


The Structure of Music

The structure of an object is its organization or the way in which it is put together. Every object has an outer shape or form. Every object also has inner parts which give that object its unique character.

Music also has an outer shape or plan. Each piece of music has many inner parts too, which fit together to create the whole composition. Music has both outer and inner structure or form.

Introduction To "Motif"

A motif is a short musical figure that recurs throughout a composition. It is used to unify the piece. A motif is usually the seed of the main theme of a composition. AS few as two notes can make up a motif if they are melodically or rhythmically characteristic of the theme. The motif can be found in music as simple as a folk song or as complex as a symphony. Beethoven developed a highly skilled use of the motif in many of his later symphonies.

Creating Melodic Variation

Augmentation - Doubling the duration of notes in a melody
Altered Tones - Changing some of the pitches of a melody
Extension - Adding notes to make a melody longer
Ornamentation - Adding new tones within a melody

Music Background

A phrase in music is comparable to a sentence in a speech. It is a natural division of the melodic line. A phrase usually includes 2, 4, or 8 measures. A phrase mark (or curved line) should not be confused with a tie or a slur mark. A tie only connects two notes of the same pitch. A slur mark is used when two notes are sung on one syllable.

The Forms of Music

All music has an outer shape or form. There are very short forms of music, such as a three-part (A B A) song or instrumental piece, or a simple round. There are also longer forms of music.

Instrumental Forms


  • Theme and variations
  • Rondo
  • Suite
  • Symphony
  • Concerto
Vocal Forms

  • Opera
  • Oratorio
Music is often built by putting phrases together in very regular ways. For example, many folk songs have an even number of phrases, with an equal number of measures in each. One or two phrases may be repeated, resulting in phrase forms such as these.

A B A B    A A B A    A B A C

Theme and variation is a musical form that uses a musical idea (theme) and a number of modifications of the theme (variations). The theme is usually a simple tune, frequently a familiar melody. If the original melody is preserved in all the variations, they are called melodic variations. If only the original harmonic structure is kept, they are called harmonic variation.

Poetry, as well as music, may be written in either regular or irregular phrase form.

So, reinforce understanding of phrases through compositional strategy. Experiment with various ways to develop the two phrases into a melody. Write words to fit one or more melodies. The melodies created should show understanding of phrase form, cadence, and musical balance.

Does your song have a regular or irregular form?
Does your song seem balanced?
Does your song end with a full cadence?

Okay. Perhaps you have missed some earlier posts on Components of Music. You can catch up here, Part Two and Part One.

You may be interested in MACMILLAN MUSIC. It's a great resource for teachers.


Wishing you all the best!


-- LadyD
 "The beautiful thing about learning is that no one can take it away from you." B.B.King
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