How He Loves Us: Jesus Culture

Through music, many hearts are being touched and lives changed through the love of God. Kim Walker Smith sings this very beautiful song and I have posted the piano/guitar chords below. 

How He Loves Us Chords and Lyrics

We Cry Out (CD/DVD) 

VERSE 1:

C

He is jealous for me,

Am7

Loves like a hurricane, I am a tree,

Gsus4                                      Fadd9

Bending beneath the weight of his wind and mercy.

C

When all of a sudden,

             Am7

I am unaware of these afflictions eclipsed by glory,

      Gsus4 

And I realize just how beautiful You are,

        Fadd9

And how great Your affections are for me. (2nd time - Oh how He Loves -to Chorus)

PRE CHORUS:

    C           Am7

And oh, how He loves us oh

         Gsus4

Oh how He loves us,

          Fadd9

How He loves us all

C   Am7

*Repeat Verse 1

CHORUS:

     C

Yeah He loves us,

      Am7

Oh how He loves us,

      Gsus4

Oh how He loves us,

      Fadd9

Oh how He loves.

VERSE 2:

C

We are His portion and He is our prize,

Am7

Drawn to redemption by the grace in His eyes,

Gsus4                     Fadd9

If grace is an ocean, we’re all sinking.

C

So Heaven meets earth like an unforeseen kiss,

Am7

And my heart turns violently inside of my chest,

Gsus4

I don’t have time to maintain these regrets,

Fadd9

When I think about, the way…

PRE CHORUS:

    C           Am7

And oh, how He loves us oh

      Gsus4

Oh how He loves us,

           Fadd9

How He loves us all... How He Loves

CHORUS:

      C

Yeah, He loves us,

      Am7

Oh how He loves us,

      Gsus4

Oh how He loves us,

       Fadd9

Oh how He loves.

      C

Yeah, He loves us,

      Am7

Oh how He loves us,

      Gsus4

Oh how He loves us,

      Fadd9        C

Oh how He loves us oh.

Jesus Culture: How He Loves Us

http://www.guitaretab.com

verse 1
G
he is jealous for me
    Cadd9 
if loves like a hurricane i am a tree
D                                           Cadd9
bending beneath the weight of his wind and mercy
G                                           Cadd9
when all of a sudden i am unaware of these afflictions eclipsed by glory
    D                                         Cadd9
i realise just how beautiful you are and how great your affections are for me

chorus
G
and oh
                 Cadd9
how he loves us so
             D
oh how he loves us
                 Cadd9
how he loves us oh

bridge
G
he loves us 
        Cadd9
oh how he loves us
        D
oh how he loves us 
        Cadd9
oh how he loves everyone

David Crowder Band: How He Loves Us

http://www.guitaretab.com

C
He is jelouse for me
Am
Loves like a hurricane i am a tree
G
bending beneath the weight of his wind
F
and mercy
C
When all of a sudden i am un aware these
Am
Aflictions eclipsed by glory
G
And i realize jus how beautiful you are and
F
How great your affections are for me


C                              Am
ohh how he loves us so

Ohh how he loves us
G                        F
How he loves us so

C Am G F X3

C
Yeah he loves us
Am
Ohh how he loves us
G
Ohh how he loves us
F
How he loves us so


C
And we are his portion and he is our prize
Am
Drawn to redemption by the grace n his eyes
G
If grace was and ocean
F
We're all sinking
C
And heaven meets earth like an all forseen kiss
Am
And my heart turns violently in side of my chest
G
I don't have time to maintain these regrets when i think about
F
The way
[ Tab from: http://www.guitaretab.com/d/david-crowder-band/339321.html ]
C
That he loves us ohh how he loves us
Am
Oh how he loves us
G
Oh how he loves us
F
Oh how he loves

C
Yeah he loves us Ohh how he loves us
Am
Oh how he loves us
G
Ohh how he loves us
F
Ohh how he loves.

C Am G F X2 until end on C

If you're not familiar with how to form an Am chord or what Cadd9 means, then you'll want to take a look at this music resource book for the musician, 

300pg Piano By Ear Home Study Course 

Blessings,

"The beautiful thing about learning is that no one can take it away from you." B.B.King

How To Play Left Hand Chord Inversions

How To Play Left Hand Chord Inversions on the Piano

Chord Inversions are helpful when playing the piano so that you have more options for playing. Here you will find tips on how to play a chord inversion with your Left Hand.

We will start with a C chord. The notes for a C chord are C, E, G. This is also called the root. The  C chord will always be C, E, G no matter how you rearrange it. Just like 1 + 2 + 3 = 6, no matter how you rearrange the numbers. Play the C, E, G with your 5 finger (pinky), 3 finger and 1 finger (thumb).

Step2

In order to play the 2nd inversion of the chord you need to rearrange the 3 notes. For the 2nd inversion, the notes will be in this order, E, G, C. Use your 5 finger, 3 finger and  1 finger.

Step3

The 3rd inversion is the same notes rearranged again, G, C, E. There is just a little change in the finger numbers, though. Use 5, 2 and 1.

This same format is used for every chord. Have your fingers use the same pattern for all the chord inversions.

How to Put Chord Inversions Together 

For jazz, rock, guitar, piano and everything that involves playing or writing music, chord inversions are a must know. They give you the ability to create a better flow to the song and to make it easier to get from one chord to the other. You've probably heard the expression, Smooth Chord Progressions.

The basic concept to keep in mind with chord inversions is that you are simply taking the notes from the regular stack of notes and moving them to a different place on the guitar, piano or staff.

Practice playing the major chords in different inversions. Inversions of a chord use the same notes, but place a different note in the bass. For example, a C major chord is C, E, G. The first inversion of the C-major chord is E, G, C. The second inversion is G, C, E.

PIANO CHORD FINGERING for the LEFT HAND:

The same principle as the right hand, just reversed.

BASIC IDEA FOR CHORD FINGERING for the LEFT HAND:

Chords are every other note so use every other finger.  5-3-1

CHORD INVERSIONS:  

Using C chord inversions for examples: It's all about spacing.

FIRST INVERSION C CHORD = E - G - C   Use 5-3-1

1.  E TO G = 3 note interval  E - F - G, smallest grouping of notes

2.  G TO C = 4 note interval  G - A - B - C, largest grouping of notes

FIRST INVERSION CHORDS SHOULD USE FINGERING 5-3-1. 

This is very easy fingering in the left hand, because when playing

G and C, we can use the widest range in our hand the 3 to the thumb.

SECOND INVERSION C CHORD = G - C - E  Use 5-2-1

1.  G to C = 4 note interval, G - A - B - C  largest grouping of notes,

2.  C TO E =3 note interval, C - D - E  smallest grouping of notes

SECOND INVERSION CHORDS SHOULD USE FINGERING 5-2-1

WHY? G to C is the largest grouping of notes, so we have to

accommodate that with using the 2 finger on C, adding more

space between our fingers.

Remember, the basic principles of fingering is to use your fingers and hand

in natural positions.  Always think of how the black keys are used in your

songs, and how to use the tight and open hand spans.  I've used the scales and chord fingerings to help you get this idea.

For more further study on this subject, check out some of my articles:

Left-Hand-Bass-Parts

Inversion-of-Chords

You may be interested in two great resources that I use from my music library are:

300pg Piano By Ear Home Study Course  

Chords 101 & 102

photo credit: Day 96. Practice. via photopin (license)







"The beautiful thing about learning is that no one can take it away from you." B.B.King

Learn To Play Eyes Like Fire

I like the song, Eyes Like Fire from a popular worship leader/song writer, Dustin Smith. If you're not familiar with him, for more information visit his website.

Chords and Lyrics to Eyes Like Fire

Key: Eb

Intro

Cm  Ab  Eb/G  Bb  cm  Ab  Eb/G  Bb

Verse

 Cm                          Ab                             Eb/G  Bb

I want to look in the eyes of the One I love

Cm                     Ab                     Eb/G   Bb
Let my soul be reminded of all He's done

Cm                          Ab                              Eb/G  Bb
I want to run to the heart of the Holy One

Cm                   Ab                        Eb/G  Bb
Giving all that I am to this God above

                            Ab   Cm                     Bb

His eyes are like fire they burn with purity

                            Ab   Cm           Bb
His eyes are like fire consuming me

Chorus

Ab

My heart and flesh will cry out

Bb                     Cm
Your presence I can't resist

Ab
Oh just to be here with You

Bb                     Cm
There's nothing better than this

Ab
I give my life in worship

Eb/G             Bb               Ab
And with my heart open wide

(1st ending)

Cm                Bb
Oh God You bring me to life

Cm  Ab  Eb/G  Bb                   Cm  Ab  Eb/G  Bb

               You bring me to life

(Repeat Verse & Chorus)

(2nd ending)

Cm                Bb              Eb

Oh God You bring me to life

Fm  Eb  Bbsus  Fm  cm  Bbsus

                  Bring me to life

Bridge

Fm                  Eb

I will live I will dwell on the mountain

Bb
I will drink from the living fountain

Fm                      Cm              Bb    
 I’m alive when I stand in this holy place

Fm                           Eb
Give me faith I can take to the nations

Bb
Shine Your light let it bring salvation

Fm                            Cm                              Bb
As I reflect who You are let them see Your face

(Repeat)

Chorus

Ab

My heart and flesh will cry out

Bb                     Cm
Your presence I can't resist

Ab
Oh just to be here with You

Bb                     Cm
There's nothing better than this

Ab
I give my life in worship

Eb/G             Bb               Ab
And with my heart open wide

Cm                Bb              Ab
Oh God You bring me to life

Cm                Bb              Ab

Oh God You bring me to life                   

Cm  Ab  Eb/G  Bb

Bbsus            Bb               Fm  Eb  Bb

 Oh God You bring me to life

                          Fm  Cm  Bb

You bring me to life

Richie Fike & Dustin Smith

Copyright © 2014 Integrity's Praise! Music

Dustin Smith Coming Alive on YouTube

If you're looking for more chord charts from Richie Fike, visit his website. Interested in developing your vocal style more? Be sure and research information on this resource, Vocal Mastery System





"The beautiful thing about learning is that no one can take it away from you." B.B.King

How To Play If by David Gates

Such a beautiful song, If produced in 1971, with Words and Music by David Gates. You can listen to more songs of his on Jango. He has a very distinct voice and style. David Gates is an American singer-songwriter, best known as the lead singer of the group Bread. A wonderful CD with 20 songs you won't want to miss, David Gates Songbook. I'm thinking of my Kansas City Cousins today who have been married for 57 years. Seems so rare now but oh, so precious! Today is Jan's memorial service and indeed, she was a bright star in our family. Her husband Dick, how he loved her so. I can just picture him singing this song... So hard to say goodbye. This is a love song dedicated to my cousins, Dick and Jan. Love you! xo

Chords and Lyrics to If

Key: F

Time: 4/4 Slowly

      F                C                   Cm        F7      Bb
    
If a picture paints a thousand words, then why can't I paint you?

    Bb m              F       Bb m6             C7sus4 C7
   
The words will never show the you  I've come to know.


     F                        C               Cm       F7   Bb
If a face could launch a thousand ships, then where am I to go?

       Bb m             F             Bb m6               C7
There's no one home but you -- you're all that's left me, too.


Bridge:

 C#dim Dm     Db+        F               Bb6
   
And when my   love   for life is running dry,

     Am7-5     D7      Gm7 Gm7-5 C7
     
You come and pour your-self on me.


     F                C         Cm            F7      Bb
If a man could be two places at one time, I'd be with you;


  Bb m         F     Bb m6              C7sus4 C7
Tomorrow and today, beside you all the way.


         F                  C                Cm      F7     Bb
If the world should stop revolving, spinning slowly down to die,

    Bb m                F        Bb m6                C7
I'd spend the end with you, and when the world was through,


 C#dim Dm    C#+        F                 Bb6
Then one by  one,  the stars would all go out,

    Am7-5      D7        Gm7           C7sus4
   
Then you and   I   would sim  -  ply    fly

         F  Gm7  Gm7-5  F

   A  -  way.

Piano Chord Breakdown: Left Hand Arpeggios (Single Notes)

L.H. / R.H.

Am7-5 = AEbGEb, AEbGEb / GC

Bb = DFCF, DFBbF / F

Bb6 = BbFGF / DG

Bbm = DbFBbF, DbFBbF / Bb

Bb m6 = BbFGF, BbFGF / Db

C = EGCG, EGCG / C

Cm = EbGCG / C

C7sus4 = CFGBb / G

C7 = CGBbG / EG

C#dim = C#GBbG / F

C#+ = DbFAF, DbFAF / AE

Dm = DFAF / FA

Db+ = DbFAF, DbFAF / AE

D7 = DACA, DACA / DF#

F = FACA, FACA / C

F7 = EbFAF / Bb

Gm7 = GDFD / GBb

Gm7-5 = GDbFDb / F

"If" Online Chord Chart from the guitar guy.com

Key of A

Intro:
  A        E7      Em7      D9     Bb+7     A      Dm6     E7 

      A                E7                  Em7              D9
    
If a picture paints a thousand words, then why can't I paint you?

    Bb+7              A       Dm6                E7
   
The words will never show the you  I've come to know.


     A           E7                            Em7          D9
If a face could launch a thousand ships, then where am I to go?

       Bb+7             A             Dm6                E7
There's no one home but you -- you're all that's left me to.


Bridge:

     F#m    Fdim(III)    F#m             D6
   
And when my   love   for life is running dry,

     C#m7-5     F#7      Bm7-5    E7
     
You'll come and pour your-self on me.


     A                 E7           Em7               D9
If a man could be two places at one time, I'd be with you;


  Bb+7          A     Dm6              E7
Tomorrow and today, beside you all the way.


         A                  E7                Em7            D9
If the world should stop revolving, spinning slowly down to die,

    Bb+7                A        Dm6                 E7
I'd spend the end with you, and when the world was through,


     F#m   Fdim(III)    F#m               D6
Then one by  one,  the stars would all go out,

    C#m7-5    F#7        Bm      Bm7    Bm7-5
   
Then you and   I   would sim  -  ply    fly

  E7      A      D9      Bb+7       A

   A  -  way.

Perhaps you are interested in Advanced Guitar 301

Blessings,

"The beautiful thing about learning is that no one can take it away from you." B.B.King

Level Two: Student Guide

Once my students complete Level 1 piano lessons, they continue on with Alfred's Basic Piano Library Lesson Book: Level 2. In case you missed the first post of Level 1 overview, you can find it here. Basically, the goal is for students to learn measures, bar lines and counting. Reviewing high and low notes with groups of 2 black keys. Learning that neighboring fingers play neighboring keys is essential, along with feeling the pulse on half notes with steady rhythm. Basically, we cover five finger patterns, a few major keys, many basic chords and some students learn chord progressions!

On to the next level... Level 2! By the end of the school year, children will perform a memorized solo and another contrasting style piece. They are able to understand more music symbols and vocabulary at this level. Moving on...

ShowTime Piano Jazz & Blues: Level 2A - Elementary Playing

Functional Skills

A. Rhythm and Pulse Development: count aloud the rhythm of the quarter, half and whole notes and corresponding rests, and dotted half notes with metronome at 72.

B. Sight Playing: 4-8 measure piece in 5 finger position.

C. Keyboard Facility: Prepare 5 pentascales or one octave scale (major or minor, hands separate and together). Keys: C, D, E, F, G. Play a triad in each key. Know Cm, Fm, Gm, Dm, Am and Em. To form a minor chord, lower the middle note of a Major chord one half step. 

D. Applied Theory: Be able to play for the teacher, intervals of 2nd - 5ths on white keys, up and down. Sharped and flatted notes. The goal here is to play Melodic and Harmonic Intervals. An important concept here is that playing harmonic intervals should be softer than the melody. The melody should be clearly heard. Know chord inversions, too.

E. Written Theory: Be able to write about

* Number of beats for quarter, half, whole notes and rests and dotted half notes.

* Counting in 2/4, 3/4 and 4/4 meter.

* Drawing sharp, flat and natural symbols; recognizing forte, piano, staccato and legato.

* White and black key names on keyboard.

* 2nd - 5th intervlas pictured on keyboard and staff, white keys only.

* Names of the notes on the grand staff from first line bass G to fifth line treble F.

I wanted to make a note here that many students learn V7 chords, Augmented and Diminished Chords at Level 2. I've written several posts, Augmented and Diminished Chords and Augmented Chords: When and Where To Use Them.

F. Listening: Able to answer questions verbally

* Forte, piano, legato or staccato sounds. (understanding dynamic levels).

* Direction of 5 notes (up, down or repeating).

* Identifying steps and skips played for you.

* The beat of a song (by clapping along).

* Which one of two descriptions matches a piece played for you.

It is important for students to understand and observe staccato articulation. Phrasing and dynamic shading is necessary. Students employ a "down-up" wrist movement. Plus, knowing how to play Allegro and Allegretto. Technical training is more important than just working at scales and finger exercises. It should include practice for pianissimo and fortissimo, crescendo and diminuendo. Here are a few terms taken from Level 2...

Music Dictionary

accent - play this note louder

eighth rest - one-half beat of silence

fermata - hold this note longer than usual

flat - lower the note a half step (the nearest key to the left)

half rest - two beats of silence

natural - no sharp or flat, just the letter name (a white key)

ottava - play one octave higher than written

pick up note (upbeat) - an incomplete measure. A pick up note leads to the first full measure. Often the last measure will also be incomplete. Then, the combined value of the first and last measure equals one complete measure.

quarter rest - one beat of silence

ritardando - gradually slow down

sharp - raise the note a half step (nearest key to the right)

slur - musical phrase, idea with connected notes

staccato - lift quickly; short and bouncy

tempo - the speed of the music

tie - curved line connecting the same notes, hold for the combined value of both notes

time signature - two numbers at the beginning of a piece (one above the other); top number indicates the number of beats per measure, while the bottom number indicates the note receiving the beat

triplet - 3 eighth notes to a quarter note

1st and 2nd endings - play the 1st ending and take the repeat; play 2nd ending, skipping over the 1st ending

pedal marking - depress the damper pedal (right foot pedal) after you play the note or chord; release at the end of the pedal mark

pedal change - Lift the pedal on the beat and depress immediately after

repeat signs - Play the section within the repeat signs again

whole rest - a whole measure of silence

Be sure and check out Jermaine Griggs  Home Study Course. It's a great theory workbook filled with lots of core music concepts and it's about 300 pages. The big workbook covers many music principles that you need to know for a good foundation in understanding music. Playing all kinds of chords in songs is so important, too. Another approach to learning is hearing these audio cds, Chords 101 & 102

*affiliate links in post*

All the best,

"The beautiful thing about learning is that no one can take it away from you." B.B.King