Showing posts with label Lessons and Instruction. Show all posts
Showing posts with label Lessons and Instruction. Show all posts

Monday Mailbag: Piano Fingering

Piano
Piano (Photo credit: MagnuZ)


Israel and garindra have shared with me a common complaint
with their fingering during practice of the piano, along with
coordinating the l.h. and r.h. Many beginners and intermediate 
piano students struggle with piano fingering... you're not alone!

Since our fingers have different lengths

 Reading Fingering To Piano Music

You will see numbers 1-5 written above or below notes in piano scales
and songs with sheet music. The numbers match and go with your fingers
 and let you know what finger presses the key of the piano.

A Guide To Finger Placement

So, the fingering is the same for both hands:

Thumb: 1
Index Finger: 2
Middle Finger: 3
Ring Finger: 4
Pinky Finger: 5

  Our fingers are of different lengths; the thumbs are shorter than the other 
fingers. Generally speaking, the thumb is the strongest finger of all. The 
thumb, index finger (2nd) and middle finger (3rd) are used the most for 
piano playing. The fourth finger is the weakest and least used.  The following 
are some tips on how to play piano with correct fingering by Yoke Wong.

1. Restrict the usage of thumb on black keys. You may consider using thumb 

on black keys when the following occurs:

  • Playing chords with all black notes, for example: Gb major chord.
  • Playing chords with black and white notes, and the lower note happens to 
  • be black note.
The fingers most used to play black notes are the 2nd and 3rd fingers.

2. When playing the melody with the right hand and some keys are out 

of reach, you may move the whole hand to play the note. If the key is only 
a couple of steps down from the thumb, you may use the thumb as an anchor and 
cross the second finger over to reach the note on the left side of the thumb. You do 
not need to move the hand. Just move the second finger over. Once the second finger 
plays the key, the thumb will cross over to play the other note to the left of the key.

Suggestion: Practice the piano scales often to know what finger to use.

3. The same rule applies to the left hand.

4. Watch other experienced pianists whenever possible, look at their fingering and 

imitate their movements.

Practicing The Piano 

The easiest way to be able to play an entire piece of music with hands 
together is to play the song in small sections and also to do plenty of 
segments with separate hands in practice.

Wrapping Up With Rules for Fingering 

1. It's most natural to use the middle fingers for the black keys. 

2. It's knowing all of your scales without ever having to think about 
the proper fingering. 

3. It's essential to learn the standard fingerings for arpeggios in all chord inversions.

4. It's natural to change hand position at the same time in both hands, moving in
opposite directions. It's easier to remember passages in which the thumbs coincide. 

5. It's often best to keep a consistent fingering, even if it sometimes means breaking
 other rules; even if a motive or figuration is repeated in another key.

6. It's true that changing your fingering for a given passage can subtly and sometimes dramatically affect the resulting sound.  

7. It's o.k. to write down the fingering that you're using during piano practice.










"The beautiful thing about learning is that no one can take it away from you." B.B.King
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Friday Freebie: Piano Scales

Minor pentatonic blues scale on A
Minor pentatonic blues scale on A (Photo credit: Wikipedia)


I am often asked questions regarding various music scales, such as Major, Minor, Blues, etc.
So, I thought I would gather up some information for you. Remember this:

Scales played in the correct musical way
are very exciting and rewarding

James Galway - Flautist
Piano Scales (former posts from my blog)

1. How to Play Blues Scales

2. How to Play Minor Scales

3. How to Play Pentatonic Scales

4. How to Play Bebop Scales

Free Printables

Cmaj Scale

Cmin Scale

C Pentatonic Scale 

Blues Scales

What are the benefits of playing scales?

Scale practice doesn't make playing songs better. Practicing your scales makes your scales better. Plus, your sight reading and improvisation will improve.

*How do I find time to practice?
*How can I get better at playing in different keys?
*How do I decide/recognize what the left hand chords are in a piece of music?
*How can I play and read sheet music faster?
*How do I decide on proper fingering?
The answer to these and many other piano playing questions can now be yours.
Step-By-Step Piano DVD Course Helps You Become A Better Piano Player
www.LearnPianoTips.com






"The beautiful thing about learning is that no one can take it away from you." B.B.King
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2 Versions of As The Deer



As The Deer
Martin Nystrom


  D        A/C#         Bm      Dsus/A
  As the  deer panteth  for the water 
 D/A   G            A7sus A7 D G/A A7 
So my soul longeth  after  Thee  
  D     A/C#         Bm       Dsus/A D/A
  You a lone are my  heart's desire  
 D/A    G       Asus     D
And I  long to  worship  You  

  Bm    Bm/A        G             D/F#
  You alone are my  strength, my  shield  
    Bm  Bm/F#         G     F#sus F#
To Y ou alone may my spirit yield  
  D     A/C#         Bm        Dsus/A
  You a lone are my  heart's desire  
D/A     G       A7sus A7  D 
And I  long to  worship  you 
 






 
 
Here's what I am playing:


D = D/DF# or D/F#D


A/C# = C#/EA


Bm = B/D


DsusA = A/DG


D/A = F#/E,D


G = G/DB


A7sus = A/DE


G/A = A/BDG


A7 = G/C#E


Asus = A/DE


Bm/A = A/F#D


D/F# = F#/DEA


Bm/F# = F#/DB


F#sus = F#/BF#


F# = F#/A#

2nd Version:
 
D        A/C#         Bm      Am7
  As the  deer panteth  for the water 
 D7   G            A7sus A  D G2/B A/C# 
So my soul longeth  after  Thee  
  D     A/C#         Bm       Am7 
  You a lone are my  heart's desire  
 D/C D  G  F#/D  Em   A A7 D
And I  long to  worship  You  

  Bm    Bm/F#        Gmaj7         D2/F# D/F#
  You alone are my  strength, my  shield  
    G  Bm/F#         Em  Em/D  F#7sus/C# F#
To Y ou alone may my spirit yield  
  D     A/C#         Bm      Am7 
  You a lone are my  heart's desire  
D/C   D  G  F#/D Em A  A7 A7 D 
And I  long to  worship  you 




Here's what I'm playing:


A/C# = C#/EA
Bm = B/BD or B/F#BD
Am7 = A/CE
D7 = D/C#DF#
G = G/DG
Asus = A/DEA
B/G2 = B/DA
Am7 = A/CG
D/C = D/GC#E
Bm/A = A/DB 
Gmaj7 = G/DF#B
F#/D2 = F#/EA
F#/D = F#/DA
F#/Bm = F#/DF#B
Em = E/BEG
C#/F#7sus = C#/BEF#


Earlier post on chord chart for song by Martin Nystrom.
How-To-Play-As-Deer.html

I just want to thank all of my readers for their kind comments and support.

Be Blessed,


-- LadyD

Basic Progressions (Part Two)

Along with yesterday's post on basic progressions, let's continue with these patterns and progressions.





I-IV-V7-I progression


This is a variation of the 1-4-5-1 progression. Instead of playing a regular 5 chord, you can play a V7 chord:

C/CEG (1)
C/CEG (1)
C/EGC (1)
F/FAC (4)
F/CFA (4)
F/FAC (4)
G/GBDF (5)
G/BDFG (5)
G/DFGB (5)

C/GCE (1)
C/GCE (1)
F/ACF (4)
F/ACF (4)
G/GBDF (5)
G/FGBD (5)



Dominant 7th Chord to IV


Whenever you have a major chord, you can add the minor 7th of that chord. Now it becomes a dominant 7th chord. It naturally wants to go to the IV chord.

C/CEGBb
C/CEGb
C/EGBbC

F/FAC 

F/CFA
F/FAC


C/GBbCEC
C/BbCEG
F/ACF
F/ACF


7-3-6 Progression


This is a progression that isn't that great by itself but when you add another progression to it, well it sounds really good:


B/BDF (7)
B/BDF (7)
B/BDF (7)
E/EGB (3)
E/GBE (3)
E/BEG (3)
A/ACE (6)
A/ACE (6)
A/CEA (6)


B/DFB (7)
B/FBD (7)
E/EGB (3)
E/GBE (3)
A/EAC (6)
A/ACE (6)


2-5-1 Progression


This progression can be used instead of the 1-4-5-1 progression, sort of like a substitution progression.


D/DFA (2)
D/ADF (2)
D/DFA (2)
D/FAD (2)
G/GBD (5)
G/BDG (5)
G/DGB (5)
G/GBD (5)
C/CEG (1)
C/CEG (1)
C/EGC (1)
C/GCE (1)

3-6-2-5-1 Progression

If you want your chords to flow smoothly fromm chord to chord, follow this pattern:

E/EGB (3)
E/GBE (3)
E/BEG (3)
E/EGB (3)
A/ACE (6)
A/ACE (6)
A/CEA (6)
A/EAC (6)
D/DFA (2)
D/ADF (2)
D/DFA (2)
D/FAD (2)
G/GBD (5)
G/BDG (5)
G/DGB (5)
G/GBD (5)
C/CEG (1)
C/CEG (1)
C/EGC (1)
C/GCE (1)

7-3-6-2-5-1 Progression

Now, let's combine all of the progressions into one big progression:

B/BDF (7)
B/BDF (7)
B/BDF (7)
E/EGB (3)
E/GBE (3)
E/BEG (3)
A/ACE (6)
A/ACE (6)
A/CEA (6)
D/DFA (2)
D/ADF (2)
D/DFA (2)
G/GBD (5)
G/BDG (5)
G/DGB (5)
C/CEG (1)
C/CEG (1)
C/EGC (1)

B/DFB (7)
B/FDF (7)
E/EGB (3)
E/GBE (3)
A/EAC (6)
A/ACE (6)
D/FAD (2)
D/ADF (2)
G/GBD (5)
G/BDG (5)
C/GCE (1)
C/CEG (1)

For now, that wraps up basic progressions. Get familiar with all these progressions. Listen to how each one sounds. Recognize the different inversions used. Also, see how you are using inversions of each chord that let you flow to the next chord easily without moving your hands too much.



Keep practicing and Happy Mother's Day!

-- Lady


Basic Progressions (Part One)



I have learned so much about progressions from other musicians and I am truly grateful for their input and help. Once you learn your chords then you can connect them together and the particular progression becomes a song.




A progression is simply a group of two or more chords. Each chord you play leads to the next chord. The goal is to get back to the I chord of the key you are in.




Progressions get their name from the bass/left hand notes you play. This is based on the Circle of 5ths. Here are some progressions that others have shared with me in that are used the most in gospel music. Here they are in the Key of C.

Remember, the numbers of C:
C=1 D=2 E=3 F=4 G=5 A=6 B=7


1-5-1 Progression

This progressions is usually found at the end of the song. Once you play the 5, you should feel a strong urge to go to the 1 chord.

C/CEG (1)
C/CEG (1)
C/EGC (1)
C/GCE (1)
G/GBD (5)
G/BDG (5)
G/DGB (5)
G/GBD (5)

1-V7-1 Progression

Here is a little variation of the 1-5-1 progression. By adding in the minor 7th, it creates an even stronger urge to go to the 1. So, you don't add the 7th of the key you are in, you add the 7th of the chord. the V7 chord id the dominant 7th chord:

C/CEG (1)
C/CEG (1)
C/EGC (1)
G/GBDF (5)
G/BDFG (5)
G/DFGB (5)


C/GCE (1)
C/GCE (1)
G/FGBD (5)
G/GBDF (5)


1-4-1 Progression (The "Amen" Progression)


C/CEG (1)
C/CEG (1)
C/EGC (1)
C/GCE (1)
F/FAC (4)
F/CFA (4)
F/FAC (4)
F/ACF (4)


1-4-5-1 Progression


This is the most basic progression that can be used for playing a whole song. Lots of hymns follow this progression:


C/CEG (1)
C/CEG (1)
C/EGC (1)
C/GCE (1)
F/FAC (4)
F/CFA (4)
F/FAC (4)
F/ACF (4)
G/GBD (5)
G/BDG (5)
G/DGB (5)
G/GBD (5)


Be sure and stop by and visit these music resources for purchase:

Advanced Gospel

gkcore

gkorgan350

gkorgan450

See you next time,


-- LadyD

Song Robot: New Software Tool

Dear Readers,


I always blog about a music dvd I've just discovered or a piano dvd that works for us musicians.


I recently received this bit of news launching a new virtual keyboard. When I watched the video, what caught my eye was the fact that you could learn gospel and jazz songs, plus adding free midis. Here's the note:
What if a robot could teach you songs?

Sounds crazy but with the power of technology,
there's now a way to turn your computer into a
song-teaching machine... that never sleeps,
never charges by the hour... doesn't get
frustrated... and repeats as much as you want!

My friends over at Hear & Play Music are the ones
behind it and just created a video demonstration

at:

Virtual Keyboard

(I only wish I had this little magic tool when
I was young!)

They call it the "Song Robot!" You simply load
song files into it and it shows you, on demand,
how to play them on a big virtual keyboard.

There's a full video demonstration at:


Piano Robot

Here's what it does:

* It can slow down songs, "turtle speed."

* It transposes songs to all 12 keys so you're
  not stuck in ONE key.

* You have the choice of learning with huge, red
  colored notes that light up or a real-looking
  3d version of a piano.

* You can stop, pause, rewind, fast forward.

* You can even load your favorite audio files
  and have it remove vocals so you can practice
  (they can even be slowed down and put in all
  12 keys... real albums!)

Visit:

Song Robot

For a limited time, they're making you an
unbeatable deal on the song files... and
throwing the song robot in at no cost!

Once you get your hands on this, you'll see
why so many are excited about it.

Visit:

New Software

I just might jump on this deal and take advantage of the deal!

Fun way to learn!


P.S. Here's a chord chart to I Love Your Grace by Rick Founds


A           G                 D
I love your grace I love Your mercy
A                  G               D    E
I love the way You help me when I fall
A           G                D             Bm
I love Your truth I love the power of Your name
        G                D                A
But You know I love Your presence most of all

C             G             D                
My soul takes refuge in the shadow of Your wings
G               D               A
Close to You is where I want to be
C          G                   D              F#m
You are my strength You are my God You are my King
      G            D             Esus E
All I want is what You want from me



 Maybe I should post some worship songs that have LOVE in the lyrics or title!



"The beautiful thing about learning is that no one can take it away from you." B.B.King
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Lessons on The Circle of Fifths

Free Printable Photo


Over the years of playing with many talented musicians, they have shared their tips and tricks with me and I am extremely appreciative. With heartfelt thanks, I am grateful for the knowledge of the Circle of Fifths. Whether you are just beginning to play the piano or you are a seasoned musician, learning the theory behind the Circle of Fifths is an extremely important and valuable tool to have.

Here's a short article from a friend over at HearandPlay, Jermaine Griggs' site for piano and keyboard musicians.

The Circle of Fifths Secrets Revealed

"Often times when one refers to the Circle of Fifths we think about Scales but today I would like to expose some secrets in the Circle of Fifths.

First, we already know that each note in the scale has a number position when we refer to intervals. So in C Major, from C-C would count 1 2 3 4 5 6 7 8 for the scale.
C Major = C D E F G A B C. These interval number positions we use when talking about progressions so when we talk about a 1 we mean C and a four means F etc. When you look carefully at the circle of fifths you would see that starting from B going forward up to C major you would have found the 7 3 6 2 5 1 progression for C Major.

Its important to note that in the circle if you count six spaces forward from any letter position you would find the 7 3 6 2 5 1 progression. Therefore the circle shows you the progression for all the Major scales.

If you should take a further look you will see the 5 1 4 progression. So if you want to find the progression of the major scale just find the note and the 5 will be on your right and the four on the left of the scale you are in. E.g. C Major 5 1 4 progression would be, 5 = G on the right of the circle, 1 in the middle and 4 on the left of the scale you are in.

To find the progression #4 7 3 6 2 5 1 progression just count seven spaces forward going to the right of the scale you want to find it in and the #4 would be the seven letter found. E.G."

Article by Jamaican-Music 


Free Photo Image

My understanding of the Circle of Fifths is that you must first be able to measure the interval of a perfect fifth. A perfect fifth spans five staff degrees and is comprised  of three whole-steps, and one half-step, or seven half-steps. rather than counting steps, a perfect fifth can be calculated more quickly by using information already learned in connection with the scale, the note from which the measurement is to be made as tonic. From a tonic note up to its dominant note is an ascending perfect fifth.

It is through the interval of the perfect fifth that keys are related to each other. Starting with C, we count up a perfect fifth to find the keynote G for the scale with one sharp; we count up a perfect fifth from G to find the keynote D for the scale with two sharps, and so on until we reach C# with seven sharps.

Free Photo Image

The flat keys are related in a similar manner. Starting with C, we count down a perfect a perfect fifth  to find the keynote F for the scale with one flat; we count down a perfect fifth from F to find the keynote Bb for the scale of two flats, and so on until we reach Cb, with seven flats. From the Circle of Fifth images you can see that each progression up a fifth adds one new sharp, and each progression down by fifth adds one new flat.

Free Photo Image

the key names used for 5, 6, and 7 sharps have enharmonic equivalents in the names for keys 5, 6, and 7 flats: B (5 sharps) and Cb (7 flats); F# (6 sharps) and Gb (6 flats); C# (7 sharps) and Db (5 flats). so now the circle of fifths for major keys is produced.

Free Photo Image

This circle includes all the major key names with the sharp keys reading clock-wise from C, and the flat keys reading counterclockwise from C. The circle is joined by the three enharmonic keys. The number of sharps or flats for each key can be determined by counting the number of fifths away from C.

Free Photo Image

For example, A has three sharps because it is the third key clockwise from C; Db has 5 flats because it is five keys counterclockwise from C. The circle also indicates the order of sharps and flats on the staff.
More on that next time.

I am truly grateful for all of my readers. Wishing you a very Happy Thanksgiving! Doesn't the circle remind you of pie? Do you have a favorite? Have fun with this course lesson learning the musician's pie, the circle of fifths.
Play Piano By Ear Home Study Course




Blessings,
-- LadyD

"The beautiful thing about learning is that no one can take it away from you." B.B.King Amplify
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Tips on Playing Phat Chords

I want to thank all of my readers for your messages. I appreciate all the requests and I will post some answers that will hopefully take your piano playing to the next level.
One reader, Akindele asked for help regarding phat chord application. You might want to check on my former posts regarding phat chords, too.
"PHAT" is just a slang term used by most musicians to define the flavour of Black Gospel music - specifically, the chord progressions. However, all phat chords are simply "extended" chords.
So let me explain what an extended chord is. Extended chords are mainly featured in Jazz music and you need a firm understanding of these chords in order to apply them effectively. This is because they don't make sense initially. Anyway, so to understand PHAT chords, you must have a good understanding of jazz chords, or extended chords. To understand extended chords, you must know scale degrees and how to form extended or altered chords. Let's look at an extended scale in C:

C - D - E - F - G - A - B - C - D - E - F - G - A
1 2 3 4 5 6 7 8 9 10 11 12 13

The number below each letter represents what position that note falls on in the scale. The C is the 1 chord, D is the 2 chord etc.

Most chords are built upon using the 1,3,5,7,9,11,&13th notes in the scale in varying combinations.  If we want to form a C7 chord for example, we have to use the notes C, E, G, and B, which would be a Bb.

If we want to form a C9 chord, we have to use all the previous notes plus add the D, which is the 9th note in the extended scale. C, E, G, Bb, D

Ok now we want to build a C11 chord.  Just add the llth note, which is F and we would have C, E, G, Bb, D, F Now you see why they are called extended chords. Now obviously you cannot play all six notes in the right hand. With extended chords, you must utilize both the right and left hands to get in all the notes. This is called voicing the chord and can be done a number of different ways. The easiest way is to play the 1 & 5 notes in the left hand, and play the others in the right. Left Hand/Right Hand or CG/BbDEF or another way might be to just play the CEG ( a C chord) in the left hand and BbDF (a Bb chord) in the right. Or CEG/BbDF. You always want to voice the chords with the root of the chord (It is the C here) in the pinky of the left hand as that becomes the base note and identifies what type of chord it actually is.

And then lastly, to form a C13 chord you would add the 13th note, A to the others for a whopping big ("phat") chord. C, E, G, Bb, D, F, A

Some chord charts will shorten the chord to just include the extended notes. They might list a C13 as having just C, Bb, D, F, A, which will work, but technically speaking, it is all 7 notes. Because there are numbers of ways to voice extended chords, a comparison of several different chord charts could yield different voicings. Do what works best for you. The chord needs to comfortable and easy for you to play and have the correct sound to it. Let your ear make the decision. (Great tips from Kwaku on Facebook).
 
 
1. Keyboardman sharing Phat Chord Patterns in G:
Here are some phat chord progressions I use in G. Now you have to have a good reach because I love to use all the fingers to phatten up the chord sound. Enjoy.........
L.h / R.h
G D / A B D Gb B
Gb Db E / A Db E Ab B
F C Eb / A D G B
E B D / G B E Gb A
D A D /F A C E G
Db / F B Eb G
C G C / E G D C
F C Eb / A D Eb G
G D / A B D Gb
2. Here's a popular hymn using smooth phat chords. Are you familiar with Because He lives?
Ab/ Gb-C-Eb-Ab, Gb-C-F    Db/ Bb-Db-F-Ab   Bb/ Ab-Db-F     A/ G-C-E
God sent his                           son                     they
Ab/ Gb-B-Eb  Db/ F-Bb-B-Eb  Gb/ F-Ab-Bb-Eb  G/ F-Ab-Bb-Db 
called                  him                  Jesus                  he         
C/ A-Ab-Bb-Eb   F/ C-Eb-F-Ab  G/ D-Eb-G-Bb   A/ Eb-Gb-A-C
came                   to love
Bb/ F-Ab-Bb-Db   Gb/ Bb-Eb-E-Ab  B/ Gb-Bb-Db-Eb  E/ Ab-Db-Gb
                            heal and              forgive
Eb/ A-Db-E   Ab/ A-C-Eb-Ab  Db/ A-Eb-F-Ab  Ab/ Gb-B-Eb  Db/ F-Bb-D
                      he lived and      died to              buy                my
Gb/ Ab-Bb-Db-F   Gb/ A-Db-E-Ab  B/ A-Db-Eb-Gb  Ab/ Ab-Db-F 
Pardon                    an                     empty                grave                     
Bb/ Ab-D-Gb  Eb/ G-Bb-Db-F  Ab/ Gb-Bb-Db-Eb, Gb-Bb-C-Eb 
is there               to prove                   my savior 
Db/ Eb-F-Ab-Db  Ab/ Eb-Ab-Db, Ab-C-Eb  Db/ Ab-C-F  Ab/ B-Eb-Gb   
lives                           because he                lives           I
Db/ F-B-Eb   Gb/ F-Bb-Eb  G/ E-A-Db  C/ Gb-B-Eb  F/ C-Eb-Ab   
can face         tomorrow          be          cause         he lives
F/A-Db-Eb-Ab, Gb  Bb/C-F-A  Eb/G-C-Db-F  Ab/Gb-Bb-Eb  Bb/F-Ab-Db 
                                                    all fear is        gone       because
C/Ab-C-Eb  Db/Ab-Db-F  G/B-Eb-G-Bb Gb/F-Ab-Bb-Eb  Eb/A-Db-Eb-Gb 
I                   know               he holds          the future     and
F/ Ab-Db-Eb-F   Gb/ A-Db-Eb-Gb  Ab/ Ab-Db-F    Bb/ D-Gb-Bb-Db   
    Life                    is                   worth the             living
Eb/ C-F-G-C   Ab/ Gb-Bb-C-Eb   B/ Eb-Ab-Db   
  just                 because            he lives
__________________

Fat Piano Chord Progression Voicings Phat 2








3. Mr. Phatness shares some phat chord tips over at gotphatchords.com 
Try this 2-5-1 out.. it may only be a few notes but it sounds great. These are rootless voicing meaning that the root of each chord is not being playing in either the LH or the RH so you could use these chords with either a bass player or when the organist is running bass.. I would use these chords during a slow song.. it has a that type of sound to me.

To get the sound if rootless voicing are new to you... play the bass note (BN) and use the sustain pedal to hold the bass note then move up the piano to play the chords...

You'll be in the key of C
Dm / G / C
BN/LH/RH

D/FC/EA
G/FB/EA
C/EA/DG

Now to the key of Db
Ebm / Ab / Db
BN/LH/RH

Eb/GbDb/FBb
Ab/GbC/FBb
Db/FBb/EbAb

Keep going until you get to Gb, now play the 2-5-1 progression this way when you get to key of Gb (this voicing will help you stay in the same range on the keyboard as you're changing keys... keeping the chord changes smooth...)
Key of Gb
Abm  / Db / Gb
BN/LH/RH

Ab/GbCb/EbBb
Db/FCb/EbAb
Gb/EbBb/DbAb

Now to key of G
Am / D / G
BN/LH/RH

A/GC/EB
D/F#C/EB
G/EB/DA


Continue to Cb and you've done you're 2-5-1 in every Major key!!! These are great voicings to use in group settings when the piano is not the only instrument.

All the best,
-- LadyD

Related Resources:
 ladydpiano.blogspot.com/2008/09/phat-chords.html 
www.playpianotoday.com/piano-lessons_phat_chord_voicings_2-video.html

Learn to Play Your Favorite Praise Songs by Ear in Minutes!

"The beautiful thing about learning is that no one can take it away from you." B.B.King
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Piano and Keyboard Salsa



 I just returned home from vacationing in Santa Barbara and experiencing "Fiesta Days." I must say the mariachi musicians caught my ear to many happy, marching moments. Reflecting on some of my past blog entries, I seem to like salsa music. How about you? For more information, visit:
ladydpiano.blogspot.com/2008_09_01_archive.html

ladydpiano.blogspot.com/2009_12_01_archive.html

ladydpiano.blogspot.com/2010/02/learn-to-play-latin-jazz.html


Chord Chart for Piano and Keyboard Salsa:

Bb/ Bb-Eb-G

Eb/ A-Eb-G

Bb/ Bb-Eb-G

Bb/ Bb-E-Gb

Eb/ A-Eb-G

Eb/ A-Eb-G

Bb/ Bb-Eb-G

Bb/ Bb-Eb-G

F/ F-B-Eb

Eb/ A-Eb-G

Bb/ Bb-Eb-G

F/ G7+5

(Practice 4 beats with each chord).


Cm9 = Bb-Eb-G

F13 = A-Eb-G

G13 = F-B-E


Salsa Piano By Ear Keyboard Lesson Sample of Jeff's Playing 



Salsa Piano 101 - Salsa, Salsa, and More Salsa... WOW!



Hear and Play Salsa 101: New Apporach To 1-4-5 Progression!



Have a great week! Viva La Fiesta!
-- LadyD

Here's a great resource for learning The difference between montunos and claves and how one affects the other.
Discover:
  • How to easily play tons of Salsa and Latin chord patterns that are guaranteed to make you look like you've been playing for years.
     
  • Learn several Latin rhythms that you can start playing today.  Like the montuno, clave, and more!
     
  • How to play several Salsa bass lines on your left hand and accompany them with powerful right-hand chord patterns.
     
  • How to lock in with the band and ensure that you're always playing the right rhythms at the right time (and how to listen for them).






"The beautiful thing about learning is that no one can take it away from you." B.B.King
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How To Play As The Deer

As The Deer 
 
C       Em          Am     Am/G
As the deer panteth for the water
       F           G      C
So my soul longeth after Thee.
C     Em          Am     Am/G
You alone are my heart's desire
       F       G       C
And I long to worship Thee.

      Am                  F           C
      You alone are my strength, my shield,
          F               Dm7     E
      To You alone may my spirit yield.
         C    Em          Am     Am/G
      You alone are my heart's desire,
             F      G        C
      And I long to worship Thee.

You're my friend and you are my brother
Even though You are a King.
I love You more than any other,
So much more than anything.

I want You more than gold or silver
Only You can satisfy.
You alone are the real joy giver
And the apple of my eye.
Artist: Unknown
Copyright Credits: ©1984, Maranatha! Music Words and Music by Martin Nystrom

* * * * * * * * * * * * * * * * * *

How To Play As The Deer



* * * * * * * *

As the Deer
Words and Music By:  Nystrom, Martin J.

C       G           Am       E
As the deer panteth for the water,
       F            G    C     Am   G
So my soul longeth after you.
C     G           Am
You alone are my heart’s desire
       F       G       C     Am   G
And I long to worship you.


Am                F            C
You alone are my strength, my shield.
    F                 Dm     E
To you alone will my spirit yield.
C     G           Am
You alone are my heart’s desire
       F       G       C
And I long to worship you.


You're my friend, and You are my brother
Even though You are a King.
I love You more than any other
So much more than anything.

 * * * * * * * * * *

As The Deer
Martin Nystrom
Tabbed by Jacob Shah

  D F#m Bm 
  As the  deer panteth  for the water 
  G A D 
So my s oul longeth  after  Thee  
  D F#m Bm 
  You a lone are my  heart's desire  
  G A D 
And I  long to  worship  You  

  Bm G D 
  You alone are my  strength, my  shield  
  G Em7 F#m 
To Y ou alone may my s pirit y ield  
  D F#m Bm 
  You a lone are my  heart's desire  
  G A D 
And I  long to  worship  you  
  D F#m Bm 
  You're my  friend and You  are my brother  

  G A D 
Even  though You  are a  King  
  D F#m Bm 
  I love  You more than  any other  
  G A D 
So much  more than  any thing  

  D F#m Bm 
  I want  You more than  gold or silver  
  G A D 
Only  You can  satis fy  
  D F#m Bm 
  You a lone are the  real joy giver  
  G A D 
And the  apple  of my  eye  
Artist: Martin Nystrom

* * * * * * * *

As The Deer Free Sheet Music
http://www.take-a-piano-sheet-music-break.com/free-christian-sheet-music.html

* * * * * * * *

As the Deer (key of D)

Martin J. Nystrom

D       A           Bm      F#
As the deer panteth for the water,
       G            A     D   Bm A
So my soul longeth after you.
D    A             Bm
You alone are my heart�s desire
       G        A      D  Bm A
And I long to worship you.

Bm                 G           D
You alone are my strength, my shield.
    G                  Em    F#
To you alone will my spirit yield.
D    A            Bm
You alone are my heart�s desire
       G        A      D
And I long to worship you.

You’re my friend, and You are my brother
Even though You are a King.
I love You more than any other
So much more than anything.


�1984 Maranatha! Music (ASCAP)

* * * * * * * * * *

As the Deer Panteth For the Water - Jazz Piano 



* * * * * * * * * *

First Line to As The Deer:

"As the deer panteth for water, So my soul longeth after Thee. You alone are my heart's desire,"

All the best,
~ LadyD

P.S. Hi Gospel lover,

I'm so excited to be writing you about a new resource that will
help you learn worship music by ear. As you know, it's very
hard to find materials on gospel music, so when I find out
about resources like this, I just have to let my subscribers
know!
 

Jermaine Griggs over at HearandPlay.com
has a  worship course, GospelKeys 202
Special Edition - "Mastering Worship Chords."

Not only is it almost five hours (...that's one of the longest
I've seen for a gospel course), but it is packed with tons of
worship chords, progressions, songs (like "Anointing," "As the
Deer,
" "Thank You Lord," and more), and tons of concepts like
"coupling," his "3-4" principle on how to predict what chords
come next in worship songs, and special sections dedicated to
ear-training and chord recognition. That's actually only the
beginning of it.

He covers a systematic way to play worship songs. In other
words, he takes you through a song learning process that will
enable you not only to learn the songs he shows you step by
step, but to master literally tons of worship songs (because
most worship songs follow the same basic patterns as you'll
see)!

So if you're a church musician and have been struggling to play
worship music --- or, if you're an accomplished musician and
just want to learn more chords and concepts, I highly recommend
that you check out his course.

Here's some more information from Jermaine, himself, about his
worship course:


----------------------------------------------------
Disc 1: Introduction of tones, basic chords, extended voicings,
"music edutainment reality clips!" (1 hour and 25 minutes)
worth!

The first part of the course is focused on teaching you all the
chords you'll need to know to play a majority of worship songs.
From personal experience, I've found these same chords to be
present in just about 4 out of every 5 songs!

What most gospel musicians fail to realize is that chords are
recycled and played over and over again in different songs. So
part one focuses on getting you up to par, teaching you all the
chords you need to know to get started (both basic, extended,
quartal, and more)! Lots of content (various chord voicings,
inversions, and demonstrations) has been added to this section
and it goes beyond the basics --- you get a whopping 80 minutes
of step-by-step, over-the-shoulder instruction here!

For more information on how to get your hands on the limited
GospelKeys 202 Special Edition, visit:


GospelKeys 202

----------------------------------------------------


Disc 2: Extensive ear-training, chord prediction techniques,
and the "couple" system! (1 hour and 15 minutes)

Once you've mastered the chords and voicings from part one,
you'll learn, through a series of ear-training tests, how to
differentiate between certain sounds. Jermaine shows you how
to determine what types of chords and progressions are being
heard so that you skip all the mistakes that most musicians
make when learning new songs!

You'll also learn how to pinpoint patterns in chord progressions
and how to predict what's coming next in a song. Jermaine has taught
this technique to thousands of people and they've benefited
greatly from knowing exactly which chords lead to other chords!
Music and progressions are circular and I'll teach you just how
to master this circle of chords and patterns!

Then, to top it all off, you'll learn Jermaine's couple system and how
it helps you to play all of your favorite worship songs by ear.
Many people get discouraged when learning new material but if
you can simply think of chord progressions as small couples
(just two chords at a time), you'll immediately understand how
songs and progressions work!

For more information on how to get your hands on the limited
GospelKeys 202 Special Edition, visit:


Gospel Keys Special Edition

----------------------------------------------------


Disc 3: Vocal accompaniment, "real-life" worship songs, and
application! (1 hour and 25 minutes)

Part three brings everything together (the chords and voicings
from part one and the couples and progressions from part two)
and allows you to see, step-by-step, how to play worship hits
like "Thank You Lord," "As the Deer," "Anointing," Hallelujah,
"I Really Love the Lord (remix)," along with tons of "add-ons",
"fill-ins," and tricks that bring your favorite songs to life!

While five songs are specifically covered, chord-by-chord, the
systems and patterns you'll learn from the course will enable
you to apply these same techniques to tons of worship songs ---
all by ear!

With a live vocalist (not recorded -- but "live"), you'll get
firsthand experience at how to accompany a singer and what it
takes to play in this worship style. From left-hand movements
to right hand chordal arrangements, this special edition
over-delivers in many ways and you'll be sure to benefit from
almost 5 hours of instruction, demonstrations, and
explanations!

For more information on how to get your hands on the limited
GospelKeys 202 Special Edition, visit the site below:


GospelKeys202


Plus...


***************** BONUS ***********************

This special edition is limited in quantity so the next 175
people to order will be receiving BONUS DISC 4!

Disc 4: An in-depth 30-minute, one-on-one, personal interview
with Jermaine Griggs, founder of the Hear and Play Music Group
(over 200,000 students)!

Plus bonus "uncut" and "behind-the-scenes" footage, bloopers,
mess-ups, the headquarters, and more! (40+ min).


>>>>>>>>>>>>


...So make plans to get your hands on the entire 4-disc
(5 hour)package and your piano playing will never be the same!



For more information on how to get your hands on the limited
GospelKeys 202 Special Edition, visit:

Gospel Keys 202

***************************************************


I know you'll find this course very beneficial to your gospel
music playing. Don't forget to check out their other Gospel
instructional tools at the site below.

Gospel Keys


God bless,

LadyD



Charlie Parker once said "Learn the changes and then forget them."
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