Showing posts with label 50's music. Show all posts
Showing posts with label 50's music. Show all posts

Popular Elvis Song of the 50s





George R. Poulton wrote this song in 1861 and called it "Aura Lee." It first became famous as the class song for the West Point graduating class of 1865. Its popularity was hardly short lived. In the 20th century, it achieved Hollywood stardom in no less than 3 films: "Come and Get It" of 1936, 1952's "The Last Musketeer," and 1955's "The Long Grey Line." Elvis Presley's adaptation became "Love Me Tender," and his recording held the #1 position for 5 weeks. The rest is history!

Love Me Tender

Words and Music by Elvis Presley and Vera Matson in 1956.
Key of G in 4/4 Time

G                        A                      Am/D  D7     G
Love me tender, love me sweet; Never let me go.

  G                           A                    Am/D  D7        G
You have made my life complete, And I love you so.

Chorus:

G             B7       Em        G7   C         Cm            G 
Love me tender, love me true, All my dreams fulfill.

G            E7        A               D7sus4  D7    G
For, my dar-lin', I love you, And I always will.

Here are some slash chords on how I might play this song:

G = G/DB or G/BG 
A = A/C#A
Am/D = D/CG
D7 = D/CE
B7 = F#/D#B
Em = E/GB
G7 = D/FB
C = C/EB
Cm = Eb/G
E7 = G#/DC
D7sus4 = D/CG

Blessings!

~ LadyD 

 "The beautiful thing about learning is that no one can take it away from you." B.B.King

Easy Piano: Jingle Bell Rock


Jingle Bell Rock: Easy Piano l LadyDpiano.com

                                                photo credit: christmas bells tockholes 2009 via photopin (license)

Yes, I know it's not Thanksgiving yet... I have tons of songs to share with you this Christmas season. I thought I would start posting them now. My piano students have been preparing a Thanksgiving recital at one of the local skilled nursing facilities in town. They are also starting on Christmas music and this is the #1 choice song with the teenagers. Enjoy!

JINGLE BELL ROCK 

Words and Music by Joe Neal and Jim Boothe

Performed by BOBBY HELMS (1957) 

Key: C Major

Time: 4/4 Moderately

  
C                     
Jingle bell, jingle bell, jingle bell rock
               C#dim      Dm          G7
Jingle bells  swing and jingle bells  ring
Dm          G7          Dm          G7
Snowin' and blowin' up  bushels of  fun
Dm7                 G7(#5)
Now the jingle hop has  begun
C                    
Jingle bell, jingle bell, jingle bell rock
             C#dim       Dm         G7
Jingle bells chime in  jingle bell time
Dm          G7           Dm          G7
Dancin' and prancin'  in Jingle Bell Square
D7     G7     C
In the frosty air   
        F                      F#dim
What a bright time, it's the right time
   C
To rock the  night away
       D7
Jingle bell time is a  swell time
G      Dm7         G7
To go glidin' in a one-horse sleigh   
C                
Giddyup jingle horse,  pick up your  feet
         Em7(b5)    A7
Jingle around the  clock
F                    Fm
Mix and a-mingle in a-jinglin'  beat
 D7          G7          C
(That's the jingle  bell rock) 3x

Chord Breakdown  

L.H. / R.H.

C = CEG/C

C#dim = C#EG/EG

Dm = DFA/A
G7 = GFGB/F
Dm7 = DFAC/A
G7(#5)= FGB/D#A
D7 = DF#AC/A
F#dim = F#AC, EbAC/C
G = GBD/G
Em7(b5) = BbEG/DEG
A7 = A/C#GA
F = FAC/C
Fm = FAbC/AbC
Ending:
G/FBD#
C/EBbD

Key of D

D Dmaj7 D Jingle bell, jingle bell, jingle bell rock D D#o7 Em7 A7 Jingle bells swing and jingle bells ring Em7 A7 Em7 A7 Snowin' and blowin' up bushels of fun Em7 A7 Now the jingle hop has begun D Dmaj7 D Jingle bell, jingle bell, jingle bell rock D D#o7 Em7 A7 Jingle bells chime in jingle bell time Em7 A7 Em7 A7 Dancin' and prancin' in Jingle Bell Square Em7 A7 D In the frosty air G G#o7 What a bright time, it's the right time D To rock the night away E Jingle bell time is a swell time A To go glidin' in a one-horse sleigh D Dmaj7 D Giddyup jingle horse, pick up your feet D B7 Jingle around the clock G Gm Mix and a-mingle in a-jinglin' feet Em A7 D That's the jingle bell rock D Dmaj7 D Jingle bell, jingle bell, jingle bell rock D D#o7 Em7 A7 Jingle bells chime in jingle bell time Em7 A7 Em7 A7 Dancin' and prancin' in Jingle Bell Square Em7 A7 D In the frosty air G G#o7 What a bright time, it's the right time D To rock the night away E Jingle bell time is a swell time A To go glidin' in a one-horse sleigh D Dmaj7 D Giddyup jingle horse, pick up your feet D B7 Jingle around the clock G Gm Mix and a-mingle in a-jinglin' feet Em7 A7 That's the jingle bell rock Em7 A7 That's the jingle bell rock Em7 A7 D That's the jingle bell rock 

Be sure and get Instant Transposer Software in order to play a song in any key!

All the best,    






"The beautiful thing about learning is that no one can take it away from you." B.B.King

Queen of Jazz: Etta James


I have fond memories of the rhythm and blues vocals of the Queen of Jazz.  I will miss the sounds of Etta James, also known as "Miss Peaches." Perhaps she warmed your heart also. I am interested in your thoughts. Here's a little bit about Etta James from Wikipedia:

"Etta James (born Jamesetta Hawkins; January 25, 1938 – January 20, 2012) was an American singer whose style spanned a variety of music genres including blues, rhythm and blues, rock and roll, soul, gospel and jazz. Starting her career in the mid 1950s, she gained fame with hits such as "Dance With Me, Henry", "At Last", "Tell Mama", and "I'd Rather Go Blind" for which she claimed she wrote the lyrics. She faced a number of personal problems, including drug addiction, before making a musical resurgence in the late 1980s with the album The Seven Year Itch.
James is regarded as having bridged the gap between rhythm and blues and rock and roll, and is the winner of six Grammys and 17 Blues Music Awards. She was inducted into the Rock & Roll Hall of Fame in 1993, the Blues Hall of Fame in 2001, and the Grammy Hall of Fame in both 1999 and 2008. Rolling Stone ranked James number 22 on their list of the 100 Greatest Singers of All Time and number 62 on the list of the 100 Greatest Artists."




Music Chords to At Last

(A7)  D   Bm  Em7     A9      Em7   D        Bm7  Em7
At last          my love has come along,

  A7+5    A7        D       Bm7      Em7
My lonely days are over

    Gdim    A7      D     Bm    Gdim    A9
And life is like a song.



A7  D   Bm  Em7       A9    Em7       D     Bm7     Em7
At last          the skies above are blue;

   A7+5      A7         D        Bm7      Em7
My heart was wrapped in clover

    Gdim    A7        D       Gm     Gdim       D
The night I looked at you.


Bridge:

  A7    D7 G+7      Gdim   Dm7              D6
I found a dream that I can speak to,

    C+      Bm6    Fdim    F#m
A dream that I can call my own,

  Bm6      Dm6       E7       Am7     A6
I found a thrill to press my cheek to,

D  Bm7       Cdim     A       Em7     (A7)
A thrill I've never known.



(A7)  D     Bm  Em7     A9        Em7       D    Bm7  Em7
You smiled          and then the spell was cast,

    A7+5    A7     D          Bm7      Em7
And here we are in heaven,



First Time:

            Gdim A7  D      Bm     Em    Gdim    (A7)
For you are mine at last.


Last Time:

            Gdim A7 D6     Gm    Gdim     D6
For you are mine at last.

 I like to play this song in the Key of G.  Here is the chord chart. You can print the sheet 
music at chords and midi 


(D7)  G   Em7  Am7     Eb7      D7   G       Em7  Am7
At last          my love has come along,

  D9/F#            G      Em7 Am7
My lonely days are over

    Eb7    D7      G    E7 Eb7 Eb7/Bb  D7 D7/A
And life is like a song.



  G  Em7  Am7    Eb7       D7     G    Em7 Am7
At last          the skies above are blue;

   D9/F#      G         Em       Am7      
My heart was wrapped in clover

    D9/F#    G7        C7   G7     Fdim7    Am7
The night I looked at you.


Bridge:
[ Tab from: http://www.guitartabs.cc/tabs/e/etta_james/at_last_crd.html ]
          D       Gmaj7          G6
I found a dream that I can speak to,

          F#7 G7 F#7 Bm7
A dream that I can call my own,

 D/A      Em7       A7       D     F#dim7
I found a thrill to press my cheek to,

Em7       A7     Am7     (D7/F#)
A thrill I've never known.



 G    Em     Am7       Eb7 D7    G  Em7     Am7
You smiled          and then the spell was cast,

    D9/F#    G     D     Em  Eb7    
And here we are in heaven,



First Time:

  Eb7/Bb     D7  D7/A    G  Em7  (Am7)
For you are mine at last.


Last Time:

            Eb7 D7 G  Em Am7 Eb7 D7 G9
For you are mine at last.
 
 
Maybe I will post a video and write down the chords I'm playing. It has a very cool rhythm with 12 beats to the measure and an eighth note getting one count.

When you search for free midis online, be sure and invest in this cool music software that will help you play songs: Song Robot Software

Al the best,






"The beautiful thing about learning is that no one can take it away from you." B.B.King

Red Sails In The Sunset



 In 1935 Jimmy Kennedy wrote the words and Hugh Williams wrote the music to REd sails In The Sunset. It's a slow song, played in cut time. 

The symbol cut time, a "semicircle" with a vertical line through is also a carry-over from the notational practice of late-Medieval and Renaissance music, where it signified tempus imperfectum diminutum (diminished imperfect time)—more precisely, a doubling of the speed, or proportio dupla, in duple meter. In modern notation, it is used in place of 22 and is called "alla breve" or, colloquially, "cut time" or "cut common time". http://en.wikipedia.org/wiki/Time_signature
 It's a fairly easy song to play. Here it is in the Key of C from Ultimate Guitar.com

C                      F                C
Red sails in the sunset, way out on the sea
             G7      G                C
Oh, carry my love one, home safely to me
                        F                   C
He sailed at the dawning, all day I ve been blue
                 G7    G                 C
Red sails in the sunset, I m trusting in you
 
      F             C      F                      C
Swift wings we must borrow, make straight for the shore
F          C     D7                      G7
We marry tomorrow, and you go sailing no more
C                      F                C
Red sails in the sunset, way out on the sea
             G7      G                C
Oh, carry my love one, home safely to me
 
                       F                C
Red sails at the sunset, way out on the sea
             G7      G                C
Oh, carry my love one, home safely to me


As performed by Fats Domino

C   Em           Gm     F    Fm         C   
Red sails in the sunset; way out on the sea.
A7           Dm7       G     G7        C  G
Oh, carry my loved one, home safely to me.

C   Em            Gm      F    Fm            C    A7 
She sailed at the dawning, all day I've been blue,
A7               Dm7    G    G7          C
Red sails in the sunset, I'm trusting in you.

F     Dm7           C
Swift wings we must borrow,
F    G                C    C7 
make straight for the shore.
F  Dm7     C
We marry tomorrow,
A7  D         D7         G 
and you ll go sailing no more.

C   Em           Gm     F    Fm         C   
Red sails in the sunset; way out on the sea,
A7           Dm7       G               C
Oh, carry my loved one, home safely to me. 

F  Dm7     C
We marry tomorrow,R
A7  D         D7         G 
and she ll go sailing no more.

C   Em           Gm     F    Fm         C   
Red sails in the sunset; way out on the sea,
A7           Dm7       G               C
Oh, carry my loved one, home safely to me. 
 
The song, Red Sails in the Sunset, was recorded by Fats 
Domino, Connie Stevens, Dean Martin and more in the 50's.
 
 
Nat King Cole singing the song on YouTube.
 
 
Here is the chord chart I am playing out of my Hawaiian 
songbook:
 
G                      C      Cm6         G
Red sails in the sunset, way out on the sea
     Ddim        Am7 D7  Am7 D7        G        
Oh, carry my love one, home safely to me
                        C      Cm6             G
He sailed at the dawning, all day I ve been blue
      Ddim      Am7 D7 AM7   D7                
Red sails in the sunset, I m trusting in you
 
C      Cm6             G      D7                  G
Swift wings we must borrow, make straight for the shore
C    Cm6      G     A7                      D7
We marry tomorrow, and you go sailing no more
G                      C      Cm6          G
Red sails in the sunset, way out on the sea
      Ddim       Am7  D7 Am    D7                G
Oh, carry my love one, home safely to me
 
                       G   C   Cm6          G
Red sails at the sunset, way out on the sea
     Ddim      Am7  D7    Am  D7      G Cm6 G
Oh, carry my love one, home safely to me


The Diminished triads use only the minor thirds, one on top of the other. They sound dissonant and very scary like the interesting background music we hear from an old vaudeville skit. You know, when you see the lady tied to the railroad tracks. Oh, gosh, here comes the train! That is the sound I am hearing. They often create a very restless, nervous and tense feeling. So, C to Eb is a minor third and Eb to Gb is a minor third, too. Some folks refer to them as 'the Halloween' sound.

Article Source: http://EzineArticles.com/6389980



Absolute
D

C#
Eb

F#
Ab
Bb

CDEFGABC

C#
Eb

F#
Ab
Bb

CDEFGABC

C#
Eb

F#
Ab
Bb

CDEFGABC

So, when I play Ddim in the song, it looks like this: G#/FBD

A Cm6 would be played, C/CEbG

Are there some other songs that you like to play that have some diminished chords thrown in? Take a look at this video when you have the time, Finding the Key


Best,
LadyD

"The beautiful thing about learning is that no one can take it away from you." B.B.King

Aicia Keys: You Don't Know My Name

 Here are the piano chords to You Don't Know My Name written by Alicia Keys, Kanye West, Harold Lilly, J.R. Bailey, Mel Kent and Ken Williams. This popular song was written in 2003.
The part where Alicia sings "You don't know my name" throughout the song, well that walk down is F#, E, D, C#, and B whether you play single notes in the l.h. or add octaves and play it in your right hand. Remember you're in the Key of A, so that's the run you hear in this song. I love it!
CHORD CHART:
Bm7
   Baby, baby, baby
From the day I saw you
Db7
I really really want to catch your eye
Bm7
  There's something special 'bout you
I must really like you
Db7
Cause not a lotta guys are worth my time
Bm7
  Ooo baby, baby, baby
It's gettin kind of crazy
Db7
'Cause you are takin' over my mind
(CHORUS)
Amaj7
And it feels like oooooo
Bm7
   you don't know my name
Db7Amaj7
    I swear it feels like ooooo
Bm7
You don't know my name
Db7
(round and round and round we go, will you ever know)
Bm7
  Oh baby baby baby
I see us on our first date
Db7
You're doin everything that makes me smile
Bm7
  And when we had our first kiss
It happened on a Thursday
Db7
Ooooo it set my soul on fire
Bm7
  Ooo baby baby baby
I can't wait for the first time
Db7
My imagination's runnin wild
chorus...
Amaj7
 "I'm sayin, he don't even know what he's doin' to me
Bm7
  I'm feelin' all crazy inside
I'm feelin like"
E7sus
   Owww! Ooooo Oooooo
Amaj7
Doin more than I've ever done for anyone's attention
Bm7
Take notice of what's in front of you
E7sus
Cause did I mention you're 'bout to miss a good thing
Amaj7
  And you'll never know how good it feels to have all of my affection
Bm7E7sus
And you'll never get a chance to experience my lovin'
Amaj7
Cause my lovin' feels like ooooooo
Bm7Db7
You don't know my name...............
Wikipedia says:
"You Don't Know My Name" is a song by American R&B-soul singer Alicia Keys from her second studio album, The Diary of Alicia Keys (2003). The track, written by Keys, Kanye West, and Harold Lilly and co-produced by Keys and West, was released as the album's lead single in November 2003, and contains a sample from the 1974 song "Let Me Prove My Love to You", written by J. R. Bailey, Mel Kent, and Ken Williams and performed by The Main Ingredient. It became Keys' third top ten hit in the United States, peaking at number three on the Billboard Hot 100, and also stayed atop the Hot R&B/Hip-Hop Songs for eight weeks and it was her first single to reach number one single R&B chart in the United States after 2001's "Fallin'". Furthermore, the song won a Grammy Award for Best R&B Song in 2005 and a Soul Train Music Award for Best R&B/Soul Single, Female in 2004. "You Don't Know My Name" was sampled on Lil Wayne's 2008 song "Comfortable" featuring Babyface. Blender magazine ranked the song number thirty-seven on its list of The 100 Best Songs of 2004.[1]

Alicia Keys - You Don't Know My Name (no dialog edit)

 
-- LadyD I write for Fortitude http://fo.rtitu.de/1014
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Music and Sounds of The 50's Progression

Endless of songs are based on the I - vi - IV - V - I progression. If we use The Beatles as a starting point, it is said that the main influence as far as this progression is concerned, was Please Mister Postman, originally recorded by The Marvelettes.
Look at the I-vi-IV-V progression for more examples.
We start a closer look at the progression in the key of C. In C the chords areC - Am - F - G7 - C.
In the key of G, the chords are G-Em-C-D7
Another common way of extending the I - IV - V sequence is by adding the chord of the sixth scale degree, giving the sequence I - vi - IV - V or I - vi - ii - V, sometimes called the 50s progression.
 In fact this sequence had been in use from the earliest days of classical music (used often by Wolfgang Amadeus Mozart), but after generating popular hits such as Rogers and Hart's "Blue Moon" (1934), Jerome Kern and Dorothy Fields' 1936 "The Way You Look Tonight" and Hoagy Carmichael's "Heart and Soul" (1938), it became associated with the black American vocal groups of the 1940s, The Ink Spots and The Mills Brothers ("Till Then"), and thus later became the entire basis of the 1950s doo-wop genre, a typical example being The Monotones' "The Book of Love".
http://en.wikipedia.org/wiki/Chord_progression#50s_progression
 1. Bill Hailey and The Comets (Rock around the Clock)
Verse 1:
         A
Put your glad rags on, join me, hon'
We'll have some fun when the clock strikes 1

CHORUS:
            D
We're gonna rock around the clock tonight
            A
We're gonna rock, rock, rock till broad daylight
            E7                                  A
We're gonna rock, gonna rock around the clock tonight
2. The Monotones (Book of Love)
INTRO: 
F
I wonder, wonder, who, doo-doo-doo-doo..
Bb                          F
who? Who wrote the Book Of Love?

#1.
F                 Dm
Tell me, tell me, tell me,
    Gm7                   C7
Oh, who wrote the Book Of Love?
     F               Dm
I've got to know the answer,
       Gm7           C7
Was it someone from above?
F
I wonder, wonder, who, doo-doo-doo-doo..
Bb                         F
who? Who wrote the Book Of Love?

#2.
            Dm       Gm7              C7
I love you, Darlin', Baby, you know I do.
         F               Dm
But I've got to see this Book of Love,
Gm7               C7
Find out why it's true.
F
I wonder, wonder, who, doo-doo-doo-doo..
Bb                          F
who? Who wrote the Book Of Love?

CHORUS:
Bb                               F
Chapter One says to love her, to love her 

with all your heart.
Bb                               C7
Chapter Two you tell her, you're never, 

never, never, never, ever gonna part.
   F               Dm          Gm7        C7
In Chapter Three remember, the meaning of romance.
   F                Dm                Gm7
In Chapter Four you break up, but you give her 
              C7
just one more chance.
F
I wonder, wonder, who, doo-doo-doo-doo..
Bb                          F
who? Who wrote the Book Of Love?

#3.
            Dm      Gm7              C7
Baby, baby, baby, I love you, yes, I do.
         F               Dm
Well, it says so in this Book Of Love,
Gm7                    C7
ours is the one that's true.
F
I wonder, wonder, who, doo-doo-doo-doo..
Bb                          F
who? Who wrote the Book Of Love?

CHORUS:
ADD:
F
I wonder, wonder, who, doo-doo-doo-doo..
Bb                          F
who? Who wrote the Book Of Love?

REPEAT#3.

A fifties smash from Kraziekhat.

3. PLEASE MR. POSTMAN by The Marvelettes

from 'Please Mr. Postman' (1961)

Intro:

D
 (Wait!) Oh yeah, wait a minute Mr. Postman,
Bm
(Wait!) Wa...it Mr. Postman.

Chorus 1:

D
 Mr. Postman, look and see,
Bm
 Is there a letter in your bag for me?
(Please, please, Mr. Postman),
G
 I've been waiting such a long time,
A
 Since I heard from this boyfriend of mine.

Verse 1:

D
 There must be some word today,
Bm
 From my boyfriend so far away.
G
 Please Mr. Postman, look and see,
A
 If there's a letter, a letter for me.

Verse 2:

D
 I've been standing here waiting Mr. Postman,
Bm
 So... so patiently.
G
 For just a card, or just a letter,
A
 Saying he's returning home to me.

Chorus 2:

D
 Mr. Postman, look and see,
Bm
 Is there a letter in your bag for me?
(Please, please, Mr. Postman),
G
 I've been waiting such a long time,
A
 Since I heard from this boyfriend of mine.

Verse 3:

D
 So many days, you pass me by,
Bm
 You saw the tear standing in my eye.
G
 You wouldn't stop to make me feel better,
A
 By leaving me a card or a letter.

Chorus 3:

D
 Mr. Postman, look and see,
Bm
 Is there a letter in your bag for me?
(Please, please, Mr. Postman),
G
 I've been waiting such a long time,
A
 Since I heard from this boyfriend of mine.

Coda:

           D
You better wait a minute, wait a minute (oh yeah),
Bm
 Wait a minute, wait a minute.
           G
Please Mr. Postman. (Wait a minute, Mr. Postman),
       A (n.c)
Please check and see, one more time for me.
(You gotta):

           D
You better wait a minute, wait a minute (oh yeah),
Bm
 Wait a minute, wait a minute, (oh yeah).
           G
Please Mr. Postman. (Wait a minute, Mr. Postman),
   A (n.c)
De-liver de letter, the sooner de better.

           D
You better wait a minute, wait a minute (oh yeah),
Bm
 Wait a minute, wait a minute, (oh yeah).
Anyways dear readers, I wrote this little blurb thinking back to the good old days of the 50's progressions and what great times I had back then. I  just wanted to share it with you. Do hope you'll drop by and let me know what your favorite sounds of the 50s were.

Music, Cars and Drive-In Restaurants



In the mid 1950’s I was listening to music performers such as Chuck Berry, the Del Vikings and the Shirelles. I was glued to our black and white television watching American Bandstand with Dick Clark and memorizing every dance move that was popular on the East Coast.








Jerry Lee Lewis was huge back then and I remembered how much I enjoyed Great Balls of Fire and wanted to play that song. Eventually I learned it and showed others how to play that rocking song on the piano. You could show off your piano playing style standing up and adding those slippery, impressive glissandos. You know playing all those notes in a downhill or uphill spiral with a touch of your finger.
     In the 50’s my folks played Bing Crosby’s song called White Christmas over and over on vinyl records. To this day, I still have quite a huge selection of records from the swing era and rock and roll days. I enjoy playing disc jockey during our family gathering times. It’s loads of fun. 


One of my fondest memories as a child was my Dad taking me to the walk in theater to see Bill Hailey and His Comets play Rock Around The Clock. They became hugely successful when they started to combine R&B with country music. This was the beginning of rock and roll! I was so excited that evening that I felt as if I was walking on marshmallows and that rock and roll was here to stay.
The theater was alive with screaming teenagers. Funny thing is that my dad wasn't too crazy about it though. 

Elvis was definitely King back then and was probably the most successful rock and roll star of the 1950s with Blue Suede Shoes. Definitely a new style of music was exploding throughout the United States setting off a popular craze and I was definitely being caught up with it. 




Another popular item that intrigued me besides music was the Drive In Restaurants. In my small hometown we had a local drive in restaurant called Vaqueros on the main strip.
Gas was so inexpensive around 1955 that I remember we would get in my boyfriends turquoise Thunderbird and cruise the main street on a warm summer’s evening. We were styling back then.
You could see rows of all kinds of cars from hot rods, low riders to Corvettes, especially convertibles everywhere. 

We would roll our window down at the drive in restaurant and a carhop gal would come out with this metal tray that would connect to the window and car door.
She’d be bringing our order of food that was always a burger with some fries and a milkshake or soda!
There were no seat belts back then, just bench seats so we could cuddle away. And gas was around 25 cents a gallon so every Friday and Saturday night we enjoyed hot summer nights at our local drive in restaurant. 

Those were the good old days of music, cars and drive-in restaurants. Thanks for taking a stroll down memory lane with me.




All the best,
~ LadyD


Related Posts:


Bebop Scales http://ladydpiano.blogspot.com/2009/08/improvised-solos.html
Sounds of the '50s http://ladydpiano.blogspot.com/2009/10/sounds-of-50s.html


Charlie Parker once said "Learn the changes and then forget them."











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Sounds of the '50s

A chord chartImage via Wikipedia
Are you familiar with the sounds of the '50s? Have you heard the Doo-wop-Doo-wop style?
Early rock and roll piano styles are easy and fun to play. Music of th 1950s simplified the more complicated rhythms of 1940s blues and boogie-woogie, and made them more accessible.

To get you started on playing in this style, I've combined an introduction (which can be repeated as a vamp) with an 8-bar section. The chords of the intro are built on the first (I), sixth (vi), fourth (IV) and fifth (V) degrees of the C Major Scale. Many songs of the '50s such as "Silhouettes on the Shade" and "The Book of Love" use just these chords in the same I-vi-IV-V-I progression. The next section is based on an 8-bar blues and uses only three chords- I, IV, and V. "Blueberry Hill", popularized by "Fats" Domino, is an example of this type of tune.

Notice how smoothly the chords change. This is accomplished by keeping the "common tone" of C in the pinky of the right hand whenever possible. Also notice that the real "action" is in the bass line which should be brought out in your performance. In the 8-bar section, the left hand arpeggiates the chords of the right hand. After you can play it in C, work it out in other keys such as Bb, F and G major.

Bar 1: C/E G C, B/E G C, A/E A C, G/E A C (r.h. chords, C then Am)

Bar 2: F/F A C, D/F A C, E/F A C, F/F A C, G/F A C, G/F G B, A/ F G B, B/F G B (r.h. chords, F then Gsus4-7)

Bar 3: C/C E G, D/ F C, E/G C, F/ A C, E/G C, D/F C (r.h. chords C then F)

Bar 4: C C/E then play r.h. notes C then CB, CBb, GC, G#C (r.h. chords C then C7)

Bar 5: F/F A C, A/F A C, C/F A C, A/F A C, C/F A C (r.h. chord F)

Bar 6: F/F A C, A/F A C, C/F A C, A/F A C, C/F A C (r.h. chord F)

Bar 7: C/E G C, E/E G C, G/E G C, E/E G C, G/E G C (r.h. chord C)

Bar 8: C/E G C, E/E G C, G/E G C, E/E G C, G/E G C (r.h. chord C)

Bar 9: G/ F G B D, B/F G B D, D/F G B D, B/F G B D, D/F G B D (r.h. chord G7)

Bar 10: F/F A C, A/F A C, C/F A C, A/F A C, C/F A C (r.h. chord F)

Bar 11: C/E C, D/F C, E/G C, F/A C, E/G C, D/F C (r.h. chords C then F)

Bar 12: C C/E G C (r.h. chord C)

Hope you enjoy playing the doo-wop sounds of the '50s. Chord chart above played with 12/8 time signature so that you hear and feel those 12 eighth notes played in the r.h. per measure with your l.h. bass line. Feel free to add those bluesy devices to the right hand part.

All the best,
~ LadyD

Related Topics:


http://ladydpiano.blogspot.com/2008_09_01_archive.html



http://ladydpiano.blogspot.com/2008_08_01_archive.html



http://ladydpiano.blogspot.com/2008/08/esbjrn-svensson-trio.html



http://ladydpiano.blogspot.com/2007/10/jazz-101-blast-off.html


More info:

The Fifties
I VI II V7
/ / / / / / / /
[Key of C: C A- D- G7 ] / = One beat

http://web.mac.com/ashby_stokes/iWeb/Ashby%20Stokes/Instructional_files/Table%20B%20Chords.htm

Try moving this chord progression to another key. It should sound like a typical 50’s song in any key. For more common cord progressions, see:
* General Chord and Scale Study: 12 bar blues

http://www.medallions.com/ashbystokes/GeneralMusicInfo.htm




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