From A Distance: Bette Midler

Image via Wikipedia I have always liked the song, From A Distance.

"Bette Midler (born December 1, 1945) is an American singer, actress, and comedian, also known by her informal stage name, The Divine Miss M. She has starred in highly acclaimed films, such as The Rose, Ruthless People, Beaches, and For The Boys. During her more than forty-year career, Midler has been nominated for two Academy Awards, and won four Grammy Awards, four Golden Globes, three Emmy Awards, and a special Tony Award. She has sold over 30 million albums worldwide."

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From A Distance - Bette Midler (Piano)

An interval in music is the distance in pitch between two notes. The interval is counted from the lower note to the higher one, with the lower counted as 1. Intervals can be named generally by merely counting upwards (by going forwards using the letters of the musical alphabet) from one note to the other, inclusively. For example, from C to E is a third (C to C is 1, or more commonly and elegantly, a unison, C to D is a second and finally, c to E is a third.)
Intervals are named by the number of the upper note (2nds, 3rds, etc. ) but there are two exceptions to this. The interval between notes that are identical is called UNISON (also called a PRIME INTERVAL); the interval of an 8th is called an OCTAVE.

Melodic and Harmonic Intervals

Intervals are called Melodic Intervals when they are sounded separately and Harmonic Intervals when they are sounded together. When studying chords we talk about harmonic intervals. When melodies are played, we study melodic intervals.

Mary Had a Little Lamb = E-D-C-D-E-E-E is a melodic interval.
C Major Chord = C + E + G played together is a harmonic interval.
3rd and 5th intervals make up the major chord. A lowered 3rd interval (minor interval) and 5th interval make up the minor chord.

Perfect and Major Intervals 

The interval between the keynote of a major scale and the unison, 4th, 5th, or octave of that scale is called a Perfect Interval.
For example, the difference from C to G (in a C major scale) is called a Perfect 5th. The difference from C to F is called a Perfect 4th. The 8th note of the scale is referred to as the Perfect Octave. The difference between the same note is called the Perfect Unison.
The interval between the keynote of a major scale and the 2nd, 3rd, 6th or 7th of that scale is called a Major Interval.
For example, the difference from c to c (in a C major scale) is called a Major 2nd. The difference from C to E is called a Major 3rd. The difference from C to A is called a Major 6th and the difference from C to B is called a Major 7th.

Minor Types

When the interval between two notes of a major interval (2nd, 3rd, 6th or 7th) is decreased by a half step, they become Minor Intervals.
For example, a major 3rd becomes a minor third when decreased by a half step. In a C major scale, the major third interval is from C to E. Changing the major third to a minor third would simply mean lowering the E to E flat. A minor 2nd would be D flat instead of D. A minor 6th would be A flat instead of A. The minor 7th interval would include B flat instead of B.
Only Major intervals may be made into minor intervals. Perfect intervals may not (for example, a minor perfect does not exist).

Augmented and Diminished Types

The word augmented means "made larger." When a perfect or major interval is made larger by a half step, it becomes an Augmented Interval. For example, a perfect 5th can become an augmented 5th by raising the 5th one half step.
In a C major scale, the perfect 5th is the interval from C to G. By simply raising G to G#, the interval has been expanded, which makes it an Augmented 5th.

The word diminished means "made smaller." When a perfect or minor interval is made smaller by a half step, it becomes a Diminished Interval. For example, a perfect 4th can become a diminished 4th by lowering the 4th a half step.
In the C Major scale, G is the perfect 5th. By simply lowering G to Gb, it has been made the diminished 5th.

Chromatic Types 

When the keynote and the upper note of an interval are not from the same major scale, it is called a Chromatic Interval. Minor, diminished and augmented intervals are always chromatic intervals in major keys.

Summary:
What is an interval? 

Unison (Prime Interval) and Octave
Melodic/Harmonic Int
Perfect Unison, 4th, 5th and Perfect Octave
Major 2nd, 3rd, 6th and 7th
Minor Int
Augmented and Diminished Int
Chromatic Int
Now we have laid some groundwork for you to understand chords.

Chord Chart

G G G C A x2                    

            G         C            D      Em             C          D           G  
From a distance the world looks blue and green and the snow-capped mountains white.  
           G        C     D        Em               C     D         G   
From a distance the ocean meets the stream and the eagle takes to flight.  
        C         D        Em             C       G           D     D7   
From a distance there is harmony and it echoes through the land.  
         C          G             C         G             C        D      G   
It's the voice of hope it's the voice of peace it's the voice of every man.  

  
From a distance we all have enough and no one is in need.                        
And there are no guns no bombs and no disease no hungry mouths to feed.               
From a distance we are instruments marching in a common band.                                    
Playing songs of hope playing songs of peace - they're the songs of every man.  


         C      D           G      Em           C        D              G   
God is watching us. God is watching us. God is watching us     from a distance.  


             
From a distance you look like my friend even though we are at war.  
From a distance I just cannot comprehend what all this fighting is for.  
From a distance there is harmony and it echoes through the land.   
And it's the hope of hopes it's the love of loves it's the heart of every man.  
It's the hope of hopes it's the love of loves - This is the song of every man.  


And God is watching us God is watching us God is watching us from a distance.  
      
Oh God is watching us God is watching. God is watching us from a distance. 

++++++++

FROM A DISTANCE was written in 1987. 

Here's what I'm playing.

        G2            C2/G           D/G         G2
From a distance the world looks blue and green,
         C           D         G     ( D/G,C2/G)
and the snow-capped mountains white.
        G2           C2   C/E   D/F#  G
From a distance the ocean meets the stream,
 G/B        C     D    G D/G
and the eagle takes to flight.

REFRAIN 1
        Cmaj7       D        Em
From a distance, there is harmony,
        C        G/B   G/D   D
and it echoes through the land.
           C       G/B             C       G/B
It's the voice of hope, it's the voice of peace,
          C        D     G,    C 
it's the voice of every man.

       G          C      D    G
From a distance we all have enough,
     C     D      G      C
and no one is in need.
                                                                                          
G          C           D     Em                   
And there are no guns, no bombs, and no disease,
C          D          G
no hungry mouths to feed.

REFRAIN 2
        C        D         Em
From a distance we are instruments
         C    G        D
marching in a common band.
         C        G               C      G
Playing songs of hope, playing songs of peace.
             C       D     G
They're the songs of every man.

          C      D          G       Em
God is watching us. God is watching us.
        C               D    G
God is watching us from a distance.


      G         C        D          G
From a distance you look like my friend,
       C      D        G        C
even though we are at war.
        G       C             D     Em
From a distance I just cannot comprehend
C               D           G,    C(pause)
  what all this fighting is for.

        G        D       Em
From a distance there is harmony,
       C         G          D
and it echoes through the land.
             C         G               
And it's the hope of hopes, 
          C        G
it's the love of loves,
          C          D  Em
it's the heart of every man.
         C        G              C        G
It's the hope of hopes, it's the love of loves.
            C       D      G
This is the song of every man.
           G/C  C6  D          D7/G G   D/F# Em
And God is watching us, God is watching us,
 Em7      Am7       C/D    D           G G/B
God is watching us      from a distance.
           G/C  C6   D          D7/G   G D/F# Em Em7
Oh, God is watching us, God is watching.
       Am7        C/D       G2
God is watching us from a distance.

                   
Chord Breakdown

G2 = GD/ABD

C2/G = GE/CDF#

D/G = GF#/AD

C = CG/EGD

D = DA/F#AD

G = GD/GBG

C/E = EC/GD

D/F# = F#D/AD

Cmaj7 = CG/EGB

Em = EB/EGB

G/B = B/GBD

G/C = C/DGB

C6 = C/CEA

D7/G = G/CDA

Am7 = AG/BD

G2 = GD/ABDG 

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"The beautiful thing about learning is that no one can take it away from you." B.B.King

The Diminished Seventh Chord: We Will Worship the Lamb of Glory

The DIMINISHED SEVENTH chord may be formed by lowering each note of the DOMINANT SEVENTH (V7) chord one half step, except the root, which remains the same.

IMPORTANT! The interval between each note of a diminished seventh chord is a minor 3rd (3 half steps)!

Now you'll want to spell each chord correctly! The Gdim7 chord should not be spelled G Bb Db E, even though the notes E and Fb are ENHARMONIC (that is, they represent the same key on the piano). The interval from G to E is a 6th. The interval from G to Fb is a 7th (in this case a diminished 7th).

In forming a Cdim7 chord, it is necessary to flat the note Bb. When a flatted note is flatted again, it becomes a DOUBLE FLAT, indicated by the sign bb. In this case, the note must be called Bbb, not A.

REMEMBER: When diminished 7th chords are properly spelled, one letter of the musical alphabet is skipped between each note.

Play a dim7 chord on each note of the chromatic scale below. Build each chord by adding 3 notes above the root, each 3 half steps apart. Play with RH using 1 2 3 5 fingering on each chord. Repeat one octave lower with LH, using 5 3 2 1.

Cdim7 = C Eb Gb Bbb

C#dim7 = C# E G Bb

Ddim7 = D F Ab Cb

D#dim7 = D# F# A C

Edim7 = E G Bb Db

Fdim7 = F Ab Cb Ebb

There's a worship song that I've done that has a dim7 chord in it in the Key of D. Do you know We Will Worship The Lamb of Glory by Dennis Jernigan?
D                                     A/D

We will worship the Lamb of Glory,
D                   A/D          Bbdim7
We will worship the King of kings,
Bm7                  Esus     E
We will worship the Lamb of Glory,
G        A7sus   A7   D  A  D  A
We will worship the King.
 

                         A
And with our hands lifted high,
         G         D
We will worship and sing.
                           A
And with our hands lifted high,
           G            D
We come before You rejoicing,
                       G           D/F#
With our hands lifted high to the sky,
         Bbdim7            Bm7
And the world wonders why 

            G               A7sus  A7   D

We'll just tell them we're loving our King.

We Will Worship in Key of E 

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