Showing posts with label Guitar. Show all posts
Showing posts with label Guitar. Show all posts

How To Play Midnight Cowboy

1st edition (publ. Simon & Schuster)
1st edition (publ. Simon & Schuster) (Photo credit: Wikipedia)

 In 1969, the song Midnight Cowboy from the United Artists Motion Picture, "Midnight Cowboy" was released. The music, by John Barry and of course the screenplay is from the novel. Funny thing for me, is that I remember the music more than the show. How about you? Where were you when this was happening?

Wikipedia says,

Midnight Cowboy is a 1969 American drama film based on the 1965 novel of the same name by James Leo Herlihy. It was written by Waldo Salt, directed by John Schlesinger, and stars Jon Voight, in his film debut, in the title role alongside Dustin Hoffman. Notable smaller roles are filled by Sylvia Miles, John McGiver, Brenda Vaccaro, Bob Balaban, Jennifer Salt and Barnard Hughes; M. Emmet Walsh is an uncredited, pre-fame extra.
The film won three Academy Awards: Best Picture, Best Director and Best Adapted Screenplay. To date, it is the only X-rated film ever to win Best Picture.


Here I am playing this particular movie song with a moderate beat, in a 4/4 time signature. My arrangement is in the Key of C but you'll hear tons of altered chords throughout the song. If you play the guitar, you'll want to visit the chart, Faith No More, Angel Dust

So, the challenging part is that I couldn't find a printed chord chart to this song online. I hope you can follow along with me, plus watch the video to see what I am playing. Basically the song is:

Intro:

C
Bb
C
Bb

Bb/DBb

C/ED

Bb/DBb

C/EG *

Bb/DG

Ab/EbC

Db/FC

G/FB

C/EG

Bb/DG

Ab/EbC

Db/FC

G/FD

C/GE

Bb/DC

Ab/CEb

Db/FC

G/FB (last time to Coda)

D/EG

Bb/DG

D/EG

Bb/DG

D/EG

Bb/DG* (repeat back to *)

Coda

C/ED

Bb/DBb

C/ED

Bb/DBb

C/EG

Hope this helps. Have fun with it.

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Running Horses
Buy From Art.com

Obviously, this song has lots of guitar runs that you see me gently playing the walk downs in my r.h.
If you play the guitar, too... then you might want to invest in Guitar 301

Best,







"The beautiful thing about learning is that no one can take it away from you." B.B.King
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Learn 20 Advanced Guitar Licks: Runs and Fillers for the Serious Pianist

I just wanted to let you know about 'Advanced Guitar 301' and a Music Dvd for the serious pianist! Yes, I have several friends that offer great teaching products and it seems everyone is having some type of sale this weekend!

Digital Version is finally available! It's a new guitar course available to musicians. My friends at Hear and Play always have great dvds available for playing piano by ear, drums and now a guitar course.


For The First Time Ever, Superstar Professional Guitarist, Jairus Mozee Takes You By The Hand And Drags You To "His World" Where He Personally Hand-Picks 20 Insanely Advanced Licks, Runs, Riffs, Patterns, and Fill-Ins You Can Outright STEAL And Apply To Your Own Playing Virtually Minutes After Watching!

Guitar 301

Learn 20 Super Advanced Guitar Licks, Tricks, And Riffs Across 4 Different Styles...
Funk, R&B, Gospel, Jazz



Advanced Guitar 301 Trailer / preview



The structure of "Advanced Guitar 301 - Licks, Tricks, and Solos" is pretty straightforward.
It covers 4 genres of music: Funk, Gospel, R&B, and Jazz.
In each of those genres, we start by teaching you the underlying chords that make up the patterns you're hearing. So if you're in the "funk" section, you'll start by learning the funk chords he's using as a bare minimal (even beginners can benefit from this part).
Then they proceed to break down 5 unique riffs, runs, licks, or tricks you can play over these same chords. In fact, the underlying chords and patterns hardly change. But you learn dozens of ways to approach improvising over them. They do this for funk, r&b (soul), gospel (shouting music), and jazz.
By the end, you'll have 20 professional, advanced soloing licks you can pull out the cupboard at any time.

You can order this new dvd music resource at:

 * * * * * * * * * * * * * * * *

Dear Friend,

A number of you have emailed me, repeatedly
expressing your frustration with the same issue:

“How do I make each hand play independently?”

“I never learned to use my left hand properly.
It's really underdeveloped compared to my right
hand. Now, I need tips to improve the
coordination in both hands.”

“My biggest problem is left hand independency.”

“My left and right hands always seem to want to
do the same thing, at the same time.”

Can you see the pattern in these remarks? When I
studied piano years ago, my hands would not
listen to what my brain would tell them. Today,
this problem occurs once in awhile, only when I
tackle challenging pieces.

If this scenario sounds familiar, then I have an
important message for you.

My friend Yoke Wong, a longtime music educator
and accomplished musician and composer. She has
developed a one in a kind piano instructional
home study courses called “Hand Coordination,
Runs and Fillers.” This piano course is designed
to help piano players tackle the issue of left
hand independence and hand coordination.

After some gentle persuasion at my end, Yoke has
agreed to offer a some bonuses to any
customer who would like to order this course,
from now on till (designate your time).
Hand and Eye Coordination

Yoke will include the following bonuses for the
first 100 customers: 

•    An online metronome study guide with practice
exercises to improve technique.
•    Carl Czerny virtuoso’s original exercise
sheets. These are the same exercises that he used
to get his fingers into fluid shape, with fast
runs and daily warm ups.
Runs and Fillers

Take action now and get the bonus that will make
the real difference in your music, “Hand
Coordination, Runs and Fillers.” This is the time
to build your skill. Don’t forget to share your
successes with us once you start using these
study tools.

Yours
LadyD

Charlie Parker once said "Learn the changes and then forget them."
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Church Band Setting

The Fairlight CMI (Computer Musical Instrument...Image via Wikipedia

I have played on various worship teams for over 30 years. I am so grateful for the band experiences I have gained over the years. Plus, the wonderful friendships of so many talented musicians. I am always excited to discover reading material on how to jam with a band. I came across this post that I had saved from a friend and zone member over at HearandPlay.com One of the moderators, Hammondman wrote a neat post from his own experiences. Here it is... enjoy! (written May 7, 05)


"Getting your church band in total harmony with each other will take time, practice and dedication. There’s rules to apply for a setting like this…
one: you can not play like you’re the only one around! You have other musicians to consider. You have a pianist, organist, bass player, guitar player, keyboard, (synth) player, and drummer. Each has a part to do.

You have the drummer… that’s your time keeper… the most important cog in the band. He’s what keeps it together. DON’T DIS THE DRUMMER! The drummer should keep his/her beats to the basics until the group can get it all together.

The bass player is the second cog in the machine. They hold the bottom down for you, give you a rhythmic pattern for you to follow. That bottom provides the foundation for you to flesh out your chords.

The piano will be the melody instrument, it’s timbre is pretty high, especially if miced. The piano will be used more during a melodious song and maybe quiet music, all depends on the setting. The keyboard/synthesizer is the special effects maker. It’ll supply the horns, bells and whistles, strings..etc.
(**THE KEYBOARDIST SHOULD KNOW THE SONG AS GOOD AS THE PANIST/ORGANIST**)

The organist, he/she will be the pad king/queen. They supply the body to the song, putting it all together… sometimes barely even heard except for the high end part of
a song or intros and endings. The two or three keyboardists should not “step” on each
other, or always play the same things… and PLEASE don’t radically play different
chords. Remember the organ can play the full chord. The piano will play around the full chord and the synth will play the solos and flavorings around both, at certain points in the melody/chords.

Remember, this can apply to devotional, choir songs, and solos. The church setting is a “on the seat of your pants” type of thing especially during praise service when people will sing anything at any given time… if the pianist or organist can find
the key first, let everyone else know!!! Remember.. be on one accord!

Preaching chords and “house raising’ chords are usually done with the organ… they should have it…. The bass player and drummer usually comes in also, then the synth... all depends on the church. The band should practice all forms of music too, different
breaks, shout patterns, things of that nature, remember, you
must be together at all times… all four or five of you are one!

Now if you desire… if you want to dress similar to each other, that’s o.k. Matching tops and bottoms look nice and professional, something that will accommodate both male and female musicians. Please, no matter how good you get as a church musician…
your gift is on loan from God and share it to any and all who
are interested... remember, somebody shared their gift with you at one time also. Freely given, freely received!"

Thanks so much Hammondman for these great treasures here. Being a keyboard player, I have often been called "the carpet" or "pad queen" during certain 'string" or "air pad" patches on my Yamaha Motif keyboard! lol

All the best,
~ LadyD




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