O Come All Ye Faithful (Chord Chart)

Photo Credit: Piano and Synth Magazine

Take a look at the above music and you will see that there are no repeating melody lines in the verse or chorus. 

Adding harmony and fuller chords

I found the following chord chart at http://guitar.about.com and changed it a bit.

G            D         G  D  G     C G/D D
O come, all ye faithful, joyful and triumphant;
   Em  D   A  D A7 D  G  D/A  A7  D
O come ye, O come ye to Bethelehem.
G   D7  G D7sus D  G    D  G   Em  Am    D
Come and behold Him, Born the King of angels;

chorus:
     G     D   G  D7 G
  O come, let us adore Him;
  G        D  G  D7 G    D
  O come, let us adore Him;
  G  D7    G  D  A7 D D7 G  C
  O come, let us adore Him,
    G/D D7      G
  Christ the Lord!


Sing, choirs of angels, sing in exultation;
Sing, all ye citizens of heaven above:
"Glory to God, all glory in the highest!"
(chorus)

Yea, Lord we greet Thee, Born that happy morning;
Jesus, to Theee be all glory giv'n.
Word of the Father, now in flesh appearing:
(chorus) 

http://guitar.about.com

 

 The words to the Carol O Come All Ye Faithful was originally written in Latin (Adeste Fideles) and was intended to be a hymn of the 18th Century, which it is, but has also come to be one of our beloved Christmas Carols about our Lord. The Englich translation by Rev. Frederick Oakley (1802-1880).

Be sure and visit his site for o-come-all-ye-faithful-piano-arranging-in-different-keys and for a Free Download, sheet music to  O Come All Ye faithful.

Beginner Chord Chart

     C                    G
O Come All Ye Faithful 
     C                    G
Joyful and triumphant, 
     Am                G                D      G
O come ye, O come ye to Bethlehem. 
    C              Dm
Come and behold Him, 
    G            Am       G
Born the King of Angels; 
     C                            
O come, let us adore Him, 
                                   G      
O come, let us adore Him, 
    F                     G      Am
O come, let us adore Him, 
   C   G        C
Christ the Lord. 
    C                          G
O Sing, choirs of angels, 
C                     G
Sing in exultation, 
Am                  G                  D         G
O Sing all ye citizens of  heaven above. 
C             Dm        G       Am      G
Glory to God, all glory in the Highest;
O come, let us adore Him,
O come, let us adore Him,
O come, let us adore Him,
Christ the Lord. 

Here is the same Christmas Song in the Key of A


 A                       E
O Come All Ye Faithful 
A    E    A    D  A   E
Joyful and triumphant, 
A  F#m  E  B7  E          A  E   B7   E
O come ye, O come ye to Bethlehem. 
A        Bm    A  Bm  A
Come and behold Him, 
E        A    F#m  Bm E
Born the King of Angels; 
A            E7  A  E7 A
O come, let us adore Him, 
A             E7  A   E7 A   E7
O come, let us adore Him, 
A       E7  A E7 A   E7  A D
O come, let us adore Him, 
A       E7     A
Christ the Lord. 

Norman and other readers are asking for Mariah Carey's arrangement to this song. I haven't been able to find it, so if anyone has worked on the chords, please let me know.

Since I receive lots of emails requesting Christmas songs, I''ll try and post one daily, especially since to day is December 1st!

To help prepare your piano playing to improve around the holidays, you will want to research these two Christmas Dvds that I recommend from Jermaine Griggs and Yoke Wong:

ChristmasKeys1

Learn To Play Your Favorite Christmas Carols Now
Covering Silent Night, O Come All Ye Faithful, and many more
www.ChristmasPianoDVD.com







"The beautiful thing about learning is that no one can take it away from you." B.B.King

What Is Bebop?

Image via Wikipedia

  "Swing arrangements mainly consisted of composed sections, but with certain sections designated for improvisation. A bebop tune, however,, would simply consist of a statement of the head, or main theme, extended solos over the head’s harmonic structure, and then one final statement of the head. It was common for bebop musicians to compose new, complex melodies over well-known chord progressions. One example of this is Charlie Parker’s “Ornithology,” which is based on the changes from “How High the Moon,” a popular show tune in the 1940s. "

For more description, read about Bebop Musicians 

Here's an overview of a very cool article (focusing on solo development) written by Dr. Stylani Tartsinis. I have learned a lot from it and I think you will, too.

To understand the Bebop approach in music, we have to take a look at chromatics. 
 
 If you're not familiar with Bebop, listen to these Bebop mp3s 

Bebop patterns are like embellishments to the bare melodic structure. Remember that in jazz, the scale degrees are referred to as numbers rather than letters.

Example #1

C E G Bb

1      3 5 b7

Here’s a diatonic exercise to practice, approaching the target tone by a whole step above and below. When the target tone is approached by a whole step above, it forms a 9^th; if approached from below, it forms a flat 7 in the chord.

Example #2

D to C = Whole step above

9-1

Bb to C = Whole step below

b7-1

Extra tones: Dominant 7^th (natural 7), Major (#5), Minor (natural 3) and Half-dim (natural 5). Begin the scale on the odd numbers. If the scale is begun on the even beats (2, 4 or 6), the student will have to insert a half-step to prevent these added tones from falling on downbeats.

Example #3 Major

C D  E F G  G# A B C

1  2   3  4  5  #5   6  7

Example #4 Minor

C D Eb E F G A B C

1 2  b3  4  5  6  7

Example  #5 Dominant 7^th Scale

C D E F G A Bb B C

1 2  3  4 5  6  b7  7

Example #6 Half Dim Bebop

C  Db Eb   F  Gb G Ab Bb C

1b 2b 3 4b 5n 5b  6  b7

Chromatic Approach Tones

Here are some examples of approaching the target note C (tonic or1). The approach tones are proceeded with a half-step (above or below), but at times, could be approached by a whole step. It is this chromatic sound that defines the bebop style. It is also important to keep in mind that these exercises are strictly for developing the bebop sound. You should further practice these bebop examples to extend these patterns with combinations of other chord tones an scales.

Single Note Approach

C# to C Half-step above

B to C Half-step below

Note: The above and below examples note #1 (C#) as b9 (Db). Note that the #1 (C#) is the enharmonic or the same tone to b9 (Db). B9 is preferred because of its frequent use as an extension.

C# to B to C = Half-step above and below

B to C# to C  = Half-step below and above

Double Note Approach

D to C# to C = Two half-steps above

Bb to B to C  = two half-steps below

Combination of Single and Double Note Approach

C#-Bb-B-C = 1 half-step above & 2 half-steps below

B9-b7-7-1

For more reading on this great article, check out http://www.jazzedmagazine.com/2318/articles/master-class/the-bebop-approach/

Chord Chart to How High The Moon

A7                Dm7                  Dm7  G7
Somewhere there's music, how faint the tune.
                  Cm7                  Cm7    F7
Somewhere there's heaven, how high the moon?
Bb+7        Em-5            A7      Am7       Em7-5
There is no moon above when love is far away, too.
     A7       D9         Em7      A7     Fm7    F7 Em7
Till it comes true, that you love me, as I love you.

#2.
    Em7   A7      Dm7                  Dm7  G7
Somewhere there's music, how near, how far?
                  Cm7                    Cm7 F7
Somewhere there's heaven, it's where you are.
    Bb      Em7-5                A7                   Dm7
The darkest night would shine if you would come to me soon.
A7-9      Fm7       F7       Em         Em7  A7-9  D6
Until you will, how still my heart, how high the   moon???

 

  You'll stay on beat with your solo development if you use the Song Robot Software

 All the best,






"The beautiful thing about learning is that no one can take it away from you." B.B.King

How To Play Sanctuary

11-24-11

In 1982, John W. Thompson and Randy Scruggs wrote a beautiful song called Sanctuary. Are you familiar with it? I've played it many times with different arrangements. The one I am playing here is arranged by carol Tornquist. It has an easy feel in two beats.




The particular setting I'm using on the keyboard gives it that airy sound you here in the background.
Just use your l.h. for the broken chords, mostly an F chord. Now the song starts in the Key of F.

The Intro:

F2
Bb2/F
F2
Eb
C7sus

I love the sounds of the C7sus. You're playing CFBb/C

Chords to Sanctuary

F2
C2/E
Eb
Bb2/D
Bbm/Db
F/C
Gm/C
Am/C
Gm/C
F2
C2/E = EC/DGC
Eb = Eb/BbEbG
Bb2/D = D/CFBb
Bb/D = D/BbFBb
Bb/C
F2
Bb2/F
F2
D9sus = DGC/EAD
D7

* Key Change (Modulate): Key of G

G2
F9,13
C2/E
C/E
Cm/Eb
G/D
Em/C#
Cmaj9 = C/DEGB
Am/D
D7(b9) = D/CEbF#B
G2
Gmaj7 = A/DF#B
E9sus = EAD/F#AE
E7 = E/G#E
Am7 = AG/CEC
D7sus = DG/CD
G2
C2/G
G2
C2/G
F6,9
G
G2

I wanted to take the opportunity to thank each one of you for following LadyDpiano, subscribing to my free monthly newsletter and to those who Like Me on FaceBook! Your kind comments are always appreciated.

Wishing you a very Happy Thanksgiving!

Blessings,






"The beautiful thing about learning is that no one can take it away from you." B.B.King