Ear-Training Piano Lesson

B.B. KingCover of B.B. KingEar training is especially important if you want to improvise, compose, or figure out melodies and chords to songs by ear. A good musical ear is an acquired skill, not a gift! and like other skills, it is acquired through practice!
  
The more we train our ear to recognize this connection, the more we enjoy playing music, because we learn to understand what we play.


Who needs ear training?

All musicians need to train their ear in order to know what they are playing and to anticipate what they are about to play!

Why do ear training?

Because understanding the sounds we hear will be necessary to:

    Jam with other musicians

   Compose music

    Sing in tune

There are 3 qualities that every good jazz musician must possess:

- a great ear, a strong sense of time, and a unique sound.

While there are many different ways to approach these skills, the first two always require a certain amount of drilling. The ear can be thought of as a muscle and to a certain degree must be trained like one. Improved ears will lead to better intonation, improvisation, ensemble playing and transcription skills. With that in mind, here are three great ways of dramatically improving your students' ears and, hopefully, their overall playing.

Associating a familiar melody with each interval is a quick way to learn an interval’s distinct sound. For example, a melodic interval can be ascending or descending. Either way, it’s still the same interval. Now, you don’t want to get confused with interval inversions because a minor third will is still a minor third no matter which note comes first.

Intervals can be classified can be classified as consonant or dissonant. I can tell you that it’s much easier to hear the consonance or dissonance of harmonic intervals than melodic ones.

Here’s a list showing you the relative stability (consonance) or instability (dissonance) of the octaves up to an octave.

Consonant: Perfect, unison, m3, P4, P5, m6, P octave.
Dissonant: m2, M2, +4. (05), m7, M7.

Another gentle approach is to describe Hollow Sounds, like austere and earthy, Indian drones and Scottish bagpipes or heavy metal rhythm- guitar.

Hallow: Perfect unison, P4, P5, P octave. This would be perfect intervals and their inversions.)
Sweet: m3, M3, m6, M6. (thirds and sixths)
Now there are active and passive methods for ear training. A passive drill would be to play two notes in succession and listen to that interval. Sometimes you will be asked to name the next note.

Harmonic intervals can be drilled the same way. These types of drills can be done with chords or chord progressions.

Are you familiar with the underlying scales and moveable "Do" solfege?


It's essential that you learn to sing a chromatic scale. As chromaticism is prevalent throughout modern jazz, this exercise will improve both intonation and students' understanding of the genre. When singing through the chromatic scale, remember to use sharps when ascending and flats when descending.


Chromatic Scale Ascending:


C,  C#,  D,   D#,  E,  F,   F#, G,  G#, A, A#, B, C
Do, Di,  Re, Ri,  Mi, Fa, Fi, Sol, Si, La, U, Ti, Do


Chromatic Scale Descending


C,   B,  Bb, A,  Ab, G,  Gb, F,  E,   Eb,  D,   Db, C
Do, Ti, Te, La, Le, Sol, Se, Fa, Mi, Me, Re, Ra, Do


Target Tones


Target tones are an essential part of any ear training regimen. They force students to hear not only chordd tones, but surrounding tones as well. Now, many students can correctly sing a major scale but they have some difficulty picking out specific intervals at random.


With respect to the scales and scale degrees, the best way to practice this is through the use of target tones. Here are a few exercises:


C, // C, D, C // E, D, C // F, E, D // C, G, A // B, C, A // B, C, B // C


Do you know the sound of these chords?


Major seventh, Major seventh b5, Major seventh +5, Sus major seventh
Minor seventh, Minor major seventh, Half diminished seventh (aka minor seven flat five), Fully diminished seventh
Dominant seventh, Dominant seventh b5, Dominant seventh +5, and Sus dominant seventh





You might be interested in these resources:


Jazz101


Jazz201


Pitch Ear Training Software


Pitch By Ear






"The beautiful thing about learning is that no one can take it away from you." B.B.King
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Out with the Blues Scale: In with the Mixolydian

"Serenade Blues" (sheet music) page ...Image via Wikipedia "Most everyone is familiar with the Mixolydian Scale because it is used in 
so many popular songs."

-- Miles Donahue

I just finished reading an article in one of my Jazz Magazines that was titled,
Out With the Blues Scale; In With The Mixolydian.
Credit: Tenor sax and trumpet player, Miles Donahue

Many students believe that the blues scale is really all one needs to know 
in order to play over a blues chord progression. Although this is a great jazz tool 
when playing the blues, it's just not the main scale used for improvising.

Understanding the Blues Scale

When you use the blues scale of the key you are in, it's not usually used over the 
I chord, but over the IV or V chord. This means in the key of C, you would play 
the C blues scale against the F7 or the G7.

If you are a beginner, sit at the piano and experience improvising by hitting any
black key while someone else (a teacher) vamps on the two chords of a song.

These five notes are the minor pentatonic scale and when you add the A natural it
changes to the blues scale.

When you ask a student what the Mixolydian scale is, they usually tell you it is 
the scale where you flat the 7th. Well, this isn't exactly correct. Definitely that's the 
difference between a major scale and a Mixolydian scale.

Think of the Mixolydian scale as the scale within a major scale that starts on 
the fifth degree of that scale. Now the key signature for G Mixolydian has no sharps
and no flats (key of C). 

So, you're not  having sharps and flats but depending on simply knowing the notes in 
each major scale. A Mixolydian is 2 sharps (C# and F#), etc.

Here are some examples of Mixolydian Melodies in popular songs:

* Stevie Wonder's "Signed, Sealed, and Delivered" starts with the descending line,
1, 7, 6, 5, 4, 3, 1. Play these notes; E, D, C#, B, A, G#, E.

* "Pretty Woman" starts with an arpeggio of the Mixolydian chord (dominant 7th) -
and then the line ascends to the 9th - 1, 1, 3, 5, 7, 9, 8, 7. Play the following notes;
E, E, G#, B, D... E,E, G#, B, D, F#, E,D,...

* The Beatles' "Birthday" uses the passing tone of the 6 in its opening line, 1, 1, 3, 5,
7, 6, 5, 1. Play the notes; E, E, G#, B, D, C#, B.

* "Norwegian Wood" is a more difficult melody because it is longer and has bigger
interval skips. Play these single notes; B, C#, B, A, G#, F#, A, G#, E, D, A, C#, B.

* Another Beatles song, "Day Tripper," has a half step approach to the third (non Diatonic
note), as well as the 9th as part of the introductory melody. Diatonic means "from the key"
and generally diatonic melodies are much simpler than melodies that use non diatonic
notes. Play; E, G, G#, B, E, D, B, F#, B, D, E.

* George Benson's version of "Broadway" (5, 3, 1, 2, 5, 3, 1, 7, 2, 1, 5) is played in six
different mix keys. The song starts in Ab mix and modulates to Db, A, D, Bb, and Eb.
At the end of the song, the band vamps on Bb mix and that is where the improvising 
takes place. You will play; B, G#, E, F#, B, G#, E, D, F#, E, D.

I think we all need examples of many jazz tools before we can incorporate them into
into our own style of improvising. Now you have an understanding of the Mixolydian scale and
and you're learning one of the most important scales used in jazz.

Thanks again dear readers for following and reading along. You might be interested
in this music resource:



 Musician Breakthrough

All the best,






"The beautiful thing about learning is that no one can take it away from you." B.B.King
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Software Demo: All You Wanted by Michelle Branch

Cover of "All You Wanted"Cover of All You Wanted I've been busy practicing and having so much fun with this new and inexpensive rhythm software. Here are some videos of what I'm talking about that I'm playing on the keys.

 "All You Wanted" software demo:

http://www.youtube.com/watch?v=UPZtt6FTJ3Q

 "Beach Salsa" software demo:


http://www.youtube.com/watch?v=MVzERL_Rgg4

"Amazing Love" software demo:


http://www.youtube.com/watch?v=xfoCBgQLcXk&feature=related

"Praise Adonai" software demo:


http://www.youtube.com/watch?v=GXQUSMfmsXQ&feature=related
 

For PC and Mac. Easy download for #37.00

Back Pocket Band


 * Chord Chart to All You Wanted


Intro:  Riff x2


(w/riff):
Fm7 Eb Db(9)  Ab6
I wanted to be like you
Fm7  Eb  Db(9) Ab6
I wanted everything
Fm7 Eb Db(9)  Ab6
So I tried to be like you
Fm7 Eb  Db(9)  Ab6 Eb
and I got swept away

Fm      Eb         Db(add9)         Ab      

I didn’t know that it was so cold and

Fm              Eb               Db(add9)              Ab

you needed someone to show you the way

Fm                   Eb       Db(add9)          Ab     

So I took your hand and we figured out that
Fm          Eb                   Db(add9)        Ab   Eb (x4)
when the tide comes I'll take you away

CHORUS:

Fm     Db(add9)  Ab        Eb

If you want to, I can save you

Fm    Db(add9)        Ab               Eb

I can take you away from here

Fm        Db(add9) Ab           Eb

So lonely inside so busy out there

Fm              Db(add9)               Ab               Eb

And all you wanted was somebody who cares

Hi,


What if you could turn your computer into a
complete practicing machine?

What if you could pull a real-sounding band out
your "back pocket?" (...so to speak).

Sounds crazy but with the power of technology,
my friends over at Hearandplay are going to show
you how to finally make practicing fun,
productive, and effective.

To see their video presentation, visit:
Music Software Demo

(I only wish I had tools like this when I was
coming up!)

They call it "Back Pocket Band" because it
literally puts a band at your fingertips.

There's a full video demonstration at:
Back Pocket Band


Here's what it does:

* It gives you access to over 350 real-sounding
   backing tracks.

* Practice and live performance files are played
  in all 12 keys.

* You can choose between multiple speeds: slow,
  medium, and fast.

* 3 different sections, 9 styles of music, &
  drums-only option (...they also give you lifetime
  updates and they're already working on jazz, blues,
  and funk backing tracks to release very soon).

* Instant streaming playback and automatic downloading
  to your system for burning to cd, transfer to ipod,
  and editing.

* And much more...

Visit:
Music Software


For a limited time, they're making you an unbeatable
deal on everything.

Once you get your hands on this, you'll see
why so many are excited about it.

Visit:
Software


If you have any questions, feel free to e-mail
me.

All the best,


 




"The beautiful thing about learning is that no one can take it away from you." B.B.King
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