Learn To Play Gospel Piano: CeCe Winans "Thirst For You"

I love to share with my readers any information I can find on Gospel piano, especially because I am passionate about gospel music.

I have played on various worship teams for over 30 years and I have found that worship songs are just so inspiring and soul-uplifting. When you listen to a worship band, you find yourself admiring the keyboard player who adds a lot of feeling to the gospel songs. Maybe you desire to play as skillfully as him/her. Playing songs of praise on your own can be achieved through gospel piano lessons. I learned to play the piano by ear with Jermaine Griggs music articles and piano resources on his website. For more information, visit his website: www.hearandplay.com

Find out how to play gospel songs on the piano or keyboard. Learn music chords because chords build chord progressions and chord progressions make songs. Make sure these are geared towards the enhancement of the musical skills regardless of whether you are a beginner or an advanced learner.

Gospel music in piano is usually played for worship and for your own pleasure. Gospel songs have two classifications namely Black Gospel or Urban Gospel and Southern Gospel. Today, some Black Gospel even adds hip hop quality to it while Southern Gospel was born as a unique genre to the early 1900s. So it is possible to learn Black Gospel or Southern Gospel by learning gospel piano lessons on the web, especially with Jermaine Griggs and Willie Myette.

It's fun to learn gospel piano on the internet. With music lessons, you can spice the music up by combining themes from religious music, with styles from different genres such as blues, jazz, and boogie-woogie. You can learn this method once you start practicing, especially knowing the Circle of Fifths. Keep yourself motivated and enjoy playing  gospels songs in your home anytime.

Choose to get involved in your  local church or ministry,  playing those gospel piano songs. Soon you'll be playing the piano with a group of singers and other musicians. If you feel this isn't your calling and you would be comfortable just playing worship songs at home for your own enjoyment, then watch how you grow as a pianist, moving your piano hands and getting more familiar with chords.

I love CeCe Winans and here's a song with the chords to one of her songs online:

Thirst For You

INTRO: Db F# x4

   Db
WE THIRST FOR YOU
   Bbm
WE SEARCH FOR YOU
 F#maj7
IN A DRY AND BARREN LAND
  F#maj7/Ab
WE’RE LONGING FOR YOUR HAND
      Bbm   Bbm/Ab
TO GUIDE US TO, A PLACE WHERE YOU
 Ebm
CAN CLEANSE  US WITH YOUR RAIN
 F#maj7/Ab
BAPTISE US ONCE AGAIN
   Db F# Db F# (Intro x2)
WE THIRST FOR YOU


      Bbm    F#
OH, LORD WE ARE WAITING
      Bbm    F#
LET YOUR SPIRIT FLOW
Ebm      F#min7
COME FLOOD OUR HEARTS AGAIN
F#maj7    Ab(sus) Ab
QUENCH OUR THIRSTING SOULS
Artist: Cece Winans

CECE WINANS LIVE - WE THIRST FOR YOU

 




"The beautiful thing about learning is that no one can take it away from you." B.B.King
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Learn To Play 12 Bar Blues



 Learn To Play 12 Bar Blues

Have you ever felt sad or lonely? Have you ever felt like singing about your troubles when you were sad? A lot of early Americans often felt this way because of the bad situations they found themselves in. They believed an important part of dealing with those feelings was sharing them. 

Have you heard the expression, "Walk a mile in my shoes..." For some, that mile on the road has been dusty, rocky and weary at times but I have a lamp, a light unto my path! Walk a mile with me and I'll walk with you. Sometimes it's good we don't see down the road too far because then we see the small blessing right in front of us and those walking right with us. You're not alone! And you know what? I've seen some fabulous stuff on that road, too! The road is dark sometimes unless we have the lamp!

Around 1900 the blues had developed into a standard musical form of about 12 measures or bars that would be repeated for all the words of the song. Most blues are 12 bars long. But some blues are longer (16 bars) or shorter (8 bars) and some 12-bar tunes are not blues at all. Why is that? Because the blues is more than just a musical form; it’s a sound, a feeling, and an attitude. These things are not conveyed by written notes on the page. And just because the word “blues” appears in a song’s title doesn’t mean that the song is a blues. “Limehouse Blues” and “Bye Bye Blues” are great tunes but they are not blues. If you’re totally unfamiliar with the blues, listen to some of B.B.King’s recordings.

12 Bar Blues:
The twelve bar blues is one of the most important song forms in popular music, jazz, rock and folk music. Once you understand the twelve bar blues and its variations, you will understand hundreds of other songs guaranteed. It is really fun to play the blues. I love the sound of slow soulful blues played on the piano.

The twelve bar blues, the most common blues form, consists of three lines of four bars each. Each line consists of a two bar statement followed by an implicit response. Each measure is four beats since a lot of blues tends to be in four.

All of the forms use just three chords, and roman numerals are used to figure them. The first bar always refers to the I chord. The second bar is either the I chord again, or it can be "quick change" blues, which would be the IV chord. Bars 3 and 4 comprise the I chord again. Bars 5 and 6 will be IV chord, and so it goes.

12 Bar Blues Chords:
The I, IV, and V chords form the backbone of the blues. In most blues-based contexts, you can make the major chords into dominant sevenths (I, 3, 5, 7b) or even ninths (1, 3, 5, b7, 9).

I /// I /// I /// I ///
C C C C
IV /// IV /// I /// I ///
F F C C
V /// V /// I /// I ///
G /// G /// C /// C ///

A turnaround found in the last bar strongly propels the listener (and other musicians) back to the top for another round of playing. In more complex blues progressions, the turnaround often grows to two bars in length, then filling the eleventh and twelfth bar. Here’s what I mean:

I (C) IV (F) I (C) I (C7)
IV (F) IV (F) I (C) I (C)
V (G) IV (F) I (C) V (G) turnaround

In much of early blues, the meter was anything but strict. Beats and bars were added and omitted freely, according to the whim of the performer. In fact, it could be said that early blues performers felt the music as a flow of beats rather than regular meter and phrase lengths. Today’s blues are rigid and predictable in comparison. Any blues lover owes it to her/himself to check out early blues recordings.

I can hear the melody line being played in this popular blues lyrics with simple chord structure and bass walk downs. Have fun playing along. It goes something like this:

Oh, my baby left me, cold and all alone! cold and all alone
Oh, my baby left me, so cold & all alone! cold and all alone
Goin' to the depot, catch the next train home! (go home) 2xs



 -- LadyD
"The beautiful thing about learning is that no one can take it away from you." B.B.King


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4 Supertramp Songs

I'm always being asked if I have the chords to songs by 
Supertramp. I remember the high-pitched vocals of  
guitarist Roger Hodgson
 
The band seemed to get very popular real fast. But I thought 
the band broke up 20 years ago. My friend from Norway 
loves their music. So, to answer some of my dear reader's 
requests, here are a few chord charts to some popular songs
For more information visit:
For more information, visit:  http://popdose.com/the-complete-idiots-guide-to-supertramp-repost/   

Another frequent question I receive from readers is "What sites do you recommend?"
Here we go:

1. Gospel
Jermaine Griggs

Jamal Hartwell

2. Jazz
Willie Myette

3. Piano
 Duane Schinn

Yoke Wong
1. Supertramp -  Take the Long Way Home (Chord Chart)

Intro: B/C# F# C# B F# C# B F# C# - B/C# F# C# B F# C# B F# C#
B/C#
So you think you're a Romeo
F# C#
playing a part in a picture-show
B F# C#
Take the long way home. Take the long way home.
B/C#
Cos you're the joke of the neighborhood
F# C#
Why should you care if you're feeling good
B F# C#
Take the long way home. Take the long way home.
Fm Fm7 Bbm Bbm7
But there are times that you feel you're part of the scenery
F# Ebm
all the greenery is
Bb F#
comin' down, boy
G# Fm7 Bbm Bbm7
And then your wife seems to think you're part of the furniture
F# Ebm
oh, it's peculiar,
B F# G#
she used to be so nice.
B/C#
When lonely days turn to lonely nights
F# C#
you take a trip to the city lights
B F# C#
And take the long way home. Take the long way home.
B/C#
You never see what you want to see
F# C#
Forever playing to the gallery
B F# C#
You ake the long way home. Take the long way home.
Fm Fm7 Bbm Bbm7
And when you're up on the stage, it's so unbelievable,
F# Ebm
unforgettable,
B F#
how they adore you,
G# Fm7 Bbm Bbm7
But then your wife seems to think you're losing your sanity,
F# Ebm
oh, calamity,
B F# G#
is there no way out? (Solo com gaita ou teclado) B/C# F# C# B F# C# B F# C# B/C# F# C# B F# C# B F# C#
Fm Fm7 Bbm Bbm7
Does it feel that your life's become a catastrophe?
F# Ebm
Oh, it has to be
B F#
for you to grow , boy.
G# Fm7 Bbm Bbm7
When you look through the years and see what you could have been
F# Ebm
oh, what you might have been,
B F# G#
if you'd had more time.
B/C#
So, when the day comes to settle down,
F# C#
Who's to blame if you're not around?
B F# B/C# F# B/C#
You took the long way home, You took the long way home, You took the long way home,
You took the long way home.

2. Supertramp - Fools Overture (Chord Chart)
 
Intro slowly
Eb F  Eb F  Dm  Gm(Bb) Bb7  F
Eb F  Eb  Dm  Gm(Bb) Bb  Bb7
Ab Bb  Gm  Cm7  Gm7 Eb  F  Eb

 
Ab Bb7 Ab Bbx5
C/Bb Bb  C/Bb  C  Dm C Bb Am Bm7 Amx2

G F Fmaj7  E7sus4  Am G  Am  Em  F  Em7
    aah

Am                  Dm(abass)
History recalls how great the fall can be
Called the man a fool stripped him of his
    G7                       Cmaj7
    everybody's sleeping the boats put
pride everyone was laughing up until the
             F                      Bm7
out to sea  borne on the wings of time
day he died oh tho' the wound went deep
              Em7(gbass)
it seemed the answers were so easy to
still he's calling us out of  our
 Am7       Dm7              G7
find  too late the prophets cry the
sleep my friends we're not alone he
          Cmaj7                     Bb
island's sinking let's take to the sky 2.
waits in silence to lead us all home

Dm        Dm6
  so tell me that you find it hard
  Dm7       Dm6           Dm
grow well I know I know I know
             Dm6
and you tell me that you've many seeds
   Dm7         Dm6    Bb       C
to sow  well I know I know I know
G  F6  Bb  C  Eb  F  Eb  Ab
http://www.yourchords.com/216535/Supertramp/Fools-Overture-Chords/
3. Supertramp - Easy Does It (Chord Chart)

D(riff)
And if my thoughts had wings,
D
I'd be the bird that sings,
D             Em7        A
I'd fly where love isn't shy
             Em7         A
And everyone is willing to try.
      D
And if we had the time,
D
And time's so hard to find,
         Em7           A
I can't believe what you say,
          Em7          A
Start sending those shadows away,
           G          D
And if you know who you are,
           G          D
You are your own superstar,
D          D7                              D
And only you can shape the movie that you make,
            Em7           A
So when the lights disappear,
            Em7           A
And only the silence is here,
              Em7                                           A
Watch yourself, easy does it, easy does it, easy while you wait.

And if you know who you are,
You are your own superstar,
And only you can shape the music that you make.
So when the crowds disappear,
And only the silence is here
Watch yourself, easy does it, easy does it, easy while you wait.
http://www.guitaretab.com/s/supertramp/202928.html
4. Supertramp - The Logical Song (Chord Chart)

Dm                                Bb           Am7 
When I was young, it seemed that llfe was so wonderful, 
   c                 Bb          
a miracle, oh it was beautiful, magical. 
             Dm                                   Bb         Am 
And all the birds in the trees, well they'd be singing so happily, 
     c              Bb           
Oh, joyfully, oh, playfully, watching me. 

             Dm                         Bb           Am7
But then they sent me away, to teach me how to be sensible, 
c              Bb          
logical, oh, responsible practical. 
           Dm                           Bb         Am 
And they showed me a world where I could be so dependable, 
    c             Bb             
oh, clinical, oh, intellectual, cynical. 

          F                            Dm
There are times when all the world's asleep, 
 Dm                     Bb                     Eb 
the questions run too deep for such a simple man 
          F                                 Dm 
Won't you please, please tell me what we've learned? 
 Dm               Bb                          Eb
I know it sounds absurd. Please tell me who I am. 

 Dm                              Bb             Am7              
Watch what you say or they'll be calling you a radical, 
  c          Bb           
a liberal, oh fanatical, criminal. 
              Dm                               Bb              Am 
Oh, won't you sign up your name, we'd like to feel you're acceptable, 
   c               Bb            
respectable, oh, presentable, a vegetable! 

   F                                  Dm
There are times, when all the world's asleep, 
                      Bb                     Eb
the questions run too deep for such a simple man 
          F                                  Dm
Won't you please, please tell me what we've learned? 
                  Bb                          Eb 
I know it sounds absurd. Please tell me who I am. 
 
For further reading, visit:
http://en.wikipedia.org/wiki/Supertramp 
 
http://supertramprogerhodgson.wordpress.com 
 
So I was wondering if you like the group and 
are you familiar with their songs? 

If so, which one's in particular do you 
enjoy playing?
 
Your comments are always welcomed and encouraged. 

xo LadyD

 "The beautiful thing about learning is that no one can take it away from you." B.B.King
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